Hundreds of red plastic crates are repurposed into a public mosque in Indonesia

January 22, 2020 by  
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One green-thinking firm, Parisauli Arsitek Studio , has managed to find a way of giving new life to hundreds of discarded plastic crates . Located in Tangerang, Indonesia, the Kotakrat Pavilion is a 440-square-foot “Space of Kindness” that can be used for various purposes. In its initial form, the pavilion is currently being used as a small mosque, complete with a covered prayer room. According to the design team, the inspiration for the pavilion stemmed from the desire to create vibrant public spaces out of discarded items. Plastic crates are common containers for just about any type of product, but they are often left on curbsides to be sent off to landfills. Related: 30,000 recycled water bottles make up this 3D-printed pavilion The Kotakrat Pavilion is a modular structure that can take many shapes and sizes and will suit almost any type of function. First, the pavilion is put together by stacking hundreds of plastic crates on top of each other to create the outer shell. The crates are then screwed together and reinforced with steel pillars to create a sturdy, durable building. In this particular case, the public pavilion was designed to be a small mosque. Indonesia has the largest Muslim population in the world, and the call to prayer happens five times a day. Having a covered area with several staggered roofs during these times is quite welcomed, especially during inclement weather. Several crates near the pavilion’s entrance are designated as storage space for shoes. Further inside, there are several “shelves” to store prayer rugs. Throughout the modular pavilion , several hanging plants give the mosque a warm, welcoming atmosphere. According to the studio, the process of repurposing waste into public spaces is a practice that all communities in today’s world should adopt. “KotaKrat is a ‘ruang kebaikan’ (space of kindness) that starts with the diversity of people’s needs, behavior and habits,” the team said. “The existence of this space of kindness adapts to the context, location and needs of its user community. Space of kindness may appear as a stall, prayer room, emergency posts, shelter, bus stop and others.” + Parisauli Arsitek Studio Via ArchDaily Photography by via Parisauli Arsitek Studio

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Hundreds of red plastic crates are repurposed into a public mosque in Indonesia

Architect makes playful puzzle pavilion for Design Week Mexico

January 20, 2020 by  
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At the 11th annual Design Week Mexico, Mexican architect Gerardo Broissin created the Egaligilo Pavilion, an eye-catching structure made with large jigsaw puzzle-shaped concrete pieces. Installed on the grounds of Mexico City’s contemporary art museum Museo Tamayo, the boxy pavilion draws the eye with its puzzle-inspired form and bubble-like protrusions designed to deliberately obscure views of the interior. Inside is a lush garden that remains exposed to the outdoor elements thanks to small slits and perforations cut into the pavilion on all sides. Installed last year at the beginning of October, Broissin’s Egaligilo Pavilion builds upon Design Week Mexico’s tradition of using architecture and design to spur thought-provoking conversations. The basis for the Egaligilo Pavilion begins with the teachings of French philosopher Michel Foucault, particularly how the discovery of self is centered on a state of constant questioning. Broissin explores this “principle of agitation” by designing a space that juxtaposes seemingly opposite elements, from the inclusion of both traditional and parametric architecture to the concepts of the artificial and the natural. For instance, the rectangular pavilion’s puzzle piece-shaped panels seem to suggest rigidity and order but are contrasted with the bubble-like dome protrusions and further undermined by the interior’s curved walls. A large circular opening marks one end of the pavilion and provides the only view inside of the structure, which houses a surprisingly lush garden with a mulch ground. Related: This prefab weekend retreat made from shipping containers can be ordered online “The Egaligilo’s external structure remains light weighted and displays shape contrasts, it holds a living oasis inside, in which symbolism is exalted and gives the visitor the capacity to assume a new role, to reinvent him/herself following Foucault,” Broissin said in the project statement. “A space that originally should have been outside is held on to walls that are capriciously opened to light, but can’t be penetrated by the gaze. This quality demands the visitor to immerse in space, and once again, creates a tension between the limit of the public and the private.” + Gerardo Broissin Images via Gerardo Broissin

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Architect makes playful puzzle pavilion for Design Week Mexico

Dramatically twisted timber weaves together in the Steampunk pavilion

November 8, 2019 by  
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In Tallinn, Estonia, a team of designers have merged traditional craftsmanship with digital modeling to create Steampunk, a sculptural pavilion that uses steam-bent hardwood and computer-aided design. Winner of the Tallinn Architecture Biennial 2019 Installation Program Competition, the spectacular artwork uses the laborious process of steam bending timber by hand, rather than by robotic production, to call attention to the merits of traditional craftsmanship absent in machine building. Gwyllim Jahn, Fologram’s Cameron Newnham, Soomeen Hahm Design and Igor Pantic designed the Steampunk pavilion with the help of digital models that were rendered as holographic overlays during construction. Instead of translating their designs into CNC code for robotic production, the team decided to use a hybrid approach and build the pavilion by hand with the help of a holographic guide.  “While computer aided manufacturing and robotics have given architects unprecedented control over the materialization of their designs, the nuance and subtlety commonly found in traditional craft practices is absent from the artefacts of robotic production because the intuition and understanding of the qualitative aspects of a project as well as the quantitative is difficult to describe in the deterministic and explicit language of these machines,” explain the designs in a statement. “We are interested in approaches to making that hybridize analogue construction with the precision and flexibility of digital models .” Related: Otherworldly tree sculpture mimics plant growth with glowing veins Using standardized 100-by-10-millimeter timber boards, the construction team bagged, steamed and then bent each strip over an adaptable formwork while using the holographic model as a reference. The twisted pieces of timber were then assembled to create the appearance of a woven 3D knot measuring roughly eight meters wide and 4.6 meters in height. The pavilion has four distinct spaces framing views towards the old city of Tallinn as well as the Architecture Museum. + Soomeen Hahm Design Images by Peter Bennetts

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Dramatically twisted timber weaves together in the Steampunk pavilion

This Dark Beacon warns of the dangers of sea level rise

October 29, 2019 by  
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On the Greek island of Spetses, Irish designer Kieran Donnellan and a group of participants from the 2019 international festival Meetings of Design Students (MEDS) have installed a striking charred-wood pavilion that warns of the dangers of sea level rise. Set atop a small hill overlooking the old harbor, the installation — titled the Dark Beacon — is placed close to an existing lighthouse that serves as a counterpoint to the pavilion; whereas the lighthouse warns of immediate dangers, the Dark Beacon warns of future dangers. Inspired by the maritime culture of Spetses, the Dark Beacon takes the shape of a boat flipped on its head. Charred timber was used to clad the structure in a nod to the charring techniques used in traditional boat building and to allude to the overarching theme of global warming . Sea level rise is symbolized by two pools of water, one located on the ground floor and the other on the upper level connected via ladder. The distance between the two pools is approximately the maximum estimated sea level rise by the year 2100. Related: Giant totems in Poland warn against climate change catastrophe Located at the end of a long tree-lined avenue, the pavilion invites visitors through a triangular doorway that references the motion of boats in a confined shipyard. Inside, visitors walk on a bent ramp with an incline “designed to cause a brief moment of balance adjustment, just like the effect of stepping from land onto a boat,” reads the project statement.  The ramp leads to a visual cue for the sea level rise baseline: a pool of water with large stepping stones. A ladder provides access to the upper level, a viewpoint with seating and a pool at its base. The designer said, “This allows visitors to see just how vulnerable places like Spetses are to the impacts of sea-level rise .” + Kieran Donnellan Images via Kieran Donnellan

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This Dark Beacon warns of the dangers of sea level rise

Italys 2020 World Expo pavilion celebrates sustainable, circular design

October 28, 2019 by  
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Exactly one year before the opening of the World Fair in Dubai, Carlo Ratti Associati has unveiled images for Italy’s Expo 2020 pavilion. Created in collaboration with Italo Rota Building Office, matteogatto&associati and F&M Ingegneria, the temporary structure embodies circular principles to minimize waste and integrate recycled materials such as coffee grounds, mycelium and ocean plastic. To reduce the building’s environmental footprint, natural climate control strategies will be used instead of air conditioning. Inspired by the seafaring populations of the Mediterranean basin, the Italy Expo 2020 pavilion will be constructed out of three boats that will delivered to the site as a symbol of the figurative journey from Italy to Dubai . Once on site, the boats will be transformed into the pavilion’s roof with an undulating shape that recalls the sea and desert waves. Sinuous lines will be repeated at the base of the pavilion, which will be built from a giant dune made with real sand. Meanwhile, an adaptable facade made from LED lights and nautical ropes will be installed to broadcast multimedia content. Related: WOHA unveils a lush, net-zero Singapore Pavilion for the 2020 World Expo “We liked the idea of a pavilion that would continuously mutate into different forms,” said Carlo Ratti, founding partner of Carlo Ratti Associati and director of the MIT Senseable City Lab. “We pursued a kind of architecture that could be reconfigured both in the long-term — because of its circularity — and in the short term — thanks to digital technologies.” The pavilion’s circular design will be rendered visible in the construction. The skywalk, for example, will be constructed with materials created from discarded orange peels and used coffee grounds. Italy’s Expo 2020 Pavilion will open its doors to the public on October 20, 2020 in Dubai and remain open until April 10, 2021. + Carlo Ratti Associati Renderings by Gary di Silvio, Pasquale Milieri, Gianluca Zimbardi / Carlo Ratti Associati

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Italys 2020 World Expo pavilion celebrates sustainable, circular design

WOHA unveils a lush, net-zero Singapore Pavilion for the 2020 World Expo

September 5, 2019 by  
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Singapore-based architecture firm WOHA has unveiled plans to create a net-zero energy green oasis for 2020 World Expo Singapore Pavilion in the Dubai desert. Dubbed “Nature. Nurture. Future.,” the self-sufficient Singapore Pavilion will run entirely on solar energy and solar desalination systems. The temporary structure will symbolize a “forward-looking Singapore” emphasizing livability and sustainability. Appointed to the project by the Urban Redevelopment Authority, Singapore’s land use planning and conservation agency, WOHA will integrate the 1,550-square-meter pavilion with greenery, renewable energy systems, a food market, interactive multimedia stations and informative displays on Singaporean culture and industries. Plants will grow on all levels of the multi-story structure: tropical trees, shrubbery and orchids on the ground plane; a hanging garden suspended from the solar canopy; and vertical gardens that grow along the three structural “cones” anchoring the building. Related: New images show greenery engulfing Singapore’s tropical skyscraper Visitors will be guided through the pavilion on a meandering canopy walk that weaves through the cones and leads to the open sky market platform with panoramic views of the surroundings, a gathering area and an eatery serving Singaporean cuisine. A variety of exhibits and programs are embedded into the walk, which concludes at the Ground Galleria with a display on Singapore’s design culture and a retail area. The interior is kept comfortably cool thanks to shade from the solar canopy, fine mist fans and the evapotranspiration from the abundant vegetation. “The uniqueness of the Singapore Pavilion is that despite its location in the desert, it is green, soft and alive, demonstrating the great potential of the respectful, seamless integration and co-existence of nature and architecture,” the architects said. “It represents a captivating and forward-looking Singapore, one that is sociable, sustainable and livable, and shows a way architecture can make a meaningful contribution to the fight against the effects of climate change .” + WOHA Architects Images via WOHA

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WOHA unveils a lush, net-zero Singapore Pavilion for the 2020 World Expo

Glowing, celestial-inspired shelter communes with nature in Denmark

August 8, 2019 by  
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The Munkeruphus Art Museum on the coast of Denmark has recently gained a striking new addition — the Observatory, an organic pavilion by Danish designer Simon Hjermind Jensen . The commission, which was supported by the Danish Arts Foundation and Knud Højgaards Fond, marks the start of the museum’s long-term vision for integrating art and nature-related projects on its grounds. Crafted with 3D modeling and CNC technology, the curvaceous pavilion has a cave-like interior that encourages visitors to gather within and reconnect with nature. When Jensen received the commission for the project, he started the design process with a 24-hour stay on the site to observe the landscape conditions from dawn to dusk as well as the trajectories of the sun and the moon. The site-specific study inspired the placement of the Observatory as well as the architectural design, which began with a ceramic model he crafted on-site. Related: A mountain refuge in Spain is brought back to life with brickwork Back at his studio, Jensen refined his concept with additional ceramic models before overlaying a construction pattern on top that was 3D-scanned for computer modeling . Finally, the pavilion shell was CNC-cut from plywood and polycarbonate, bent into place and fastened together with custom, leaf-inspired joinery. Thanks to parametric modeling, the Observatory is optimized for strength and material use. Measuring nearly 19 feet in height, the Observatory features an asymmetrical teardrop shape topped with an oculus angled toward the south, framing views of the moon and creating more access to natural light . Inside, the curved interior is weighed down by a gravel floor and includes a built-in wooden bench that accommodates 25 people as well as a concrete podium. The central fire pit, when lit, makes the pavilion glow at night. “Like the characters of our surroundings changes and shift from day to night, the Observatory changes too, especially when a bonfire is lit after nightfall.” Jensen said. “The inside spatial experience changes with the light coming from the ground and, seen from the outside, the upper part glows in a pink color created from the light from the flames.” + Simon Hjermind Jensen Images via Simon Hjermind Jensen

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Glowing, celestial-inspired shelter communes with nature in Denmark

MASK Architects design a sustainable pavilion nestled in a German forest

July 19, 2019 by  
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Turkish architect Öznur P?nar Çer’s firm MASK Architects has designed a sustainably minded pavilion proposed for Waldspielpark Heinrich Kraft Park, the largest forest game park in Frankfurt, Germany. Created with a leaf-shaped structure, the building is designed to blend into the forest with its natural materials palette that mainly comprises locally sourced timber. Dubbed Leaf and Bean Co Pavilion, the building will house a coffee shop, a semi-open library, recreational areas and an events space. Shaped like an ovate leaf, the Leaf and Bean Co Pavilion will span an area of more than 2,000 square feet across two floors. The pavilion’s ground floor will be semi open and house exhibition space, while the upper level will include the coffee shop with the service areas placed inside a circular core at the heart of the building. Optimization of views of the surrounding forest informed the decisions for placing the programming. In addition to providing structural support, locally sourced timber will be used to give the pavilion a sculptural appeal. The architects propose crisscrossing long timber blocks around the building exterior for a nest-like appearance that evokes branches in a forest. Large amounts of glazing wrap around the building to create an immersive experience in nature. The roof of the pavilion directly above the coffee service areas will be planted with trees and greenery visible from the coffee shop below. Related: A modern reusable pavilion is sustainably designed to pop-up almost anywhere “We carried out a design in which people can provide unforgettable experience without disturbing the mathematics and physics of nature,” Öznur P?nar Çer said in a press statement. “This pavilion can be adapted to any kind of forest area, the development offers visitors an escape from the city with the celebration of fresh and organic dining. A hub educating and reestablishing gastronomy’s historic and appropriate connection with nature. Guests may enjoy the leisure and programmed resting on the terrace level while connected with the natural forest. By wandering in the forest, visitors not only discover co-creation programs but also meet with the people involved with the project and explore their creative process.” + MASK Architects Images via MASK Architects

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MASK Architects design a sustainable pavilion nestled in a German forest

A modern reusable pavilion is sustainably designed to pop-up almost anywhere

May 24, 2019 by  
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Combining art, architecture and technology, Los Angeles-based architectural firm Montalba Architects recently completed a temporary pop-up pavilion for the annual Bex & Arts sculpture triennial that’s designed to be easily disassembled and reused for future events. Set on a movable foundation that allows for minimal site impact , the Bex & Arts pavilion briefly served as a fabrication studio, exhibition space and information center on a clearing surrounded by the dramatic Swiss mountains. The lightweight structure was prefabricated in about ten days and installed with a crane on site in less than a week. Measuring just 430 square feet in size, the Bex & Arts Pavilion is one of several small-scale projects of Montalba Architects, which was recently recognized as Los Angeles’ Best Contemporary Architecture Firm in 2019 by Angeleno magazine. “ Small structures and compact spaces present an unparalleled opportunity to exquisitely, and rigorously, realize the interplay between form and substance, and intersect architecture with art,” the firm says. Montalba Architects’ Bex & Arts pavilion was prefabricated with high-performance Kerto wood panels made from peeled spruce, a custom perforated panel facade— comprising narrow, black vertical panels with voids— that lets natural light in while adding visual interest, and mineral-based Swisspearl floor panels selected for their lightweight qualities, durability, fire resistance and sustainability. The lightweight structural wood panels have also been applied to the floor and open shelving, which not only provide exhibition space but also help support the structure. Related: This minimalist timber writer’s studio in Switzerland is suspended in mid-air For the 2017 Bex & Arts sculpture triennial, the pavilion served as a visitor’s center, exhibition space for the work of invited designers and working fabrication studio where FabLab, a small-scale workshop , was open to the public for rapid prototyping. The pavilion received awards from the AIA California Council and American MasterPrize. + Montalba Architects Images by Delphine Burtin

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A modern reusable pavilion is sustainably designed to pop-up almost anywhere

A tiny, 96-square-foot rustic pavilion brings the outdoors in

February 22, 2019 by  
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Small and portable, this tiny structure offers a versatile shelter for the artist, fisherman or weekend traveler. At only 96 square feet, it could make a micro home , but the space, now called a pavilion, is laid out for an effective work studio, storage shed or traveling gallery. When Danish architect Anders Hermansen designed the pavilion 10 years ago, he presented it as a movable art piece. Perhaps more widely known for his vast furniture line and work with audio-visual company Bang & Olufsen (B&O), the lifelong independent designer wanted to create something that encompassed his love for nature and an active lifestyle. Related: Recyclable art pavilion made of mesh pops up in Kolkata Inspired by that connection to the environment, Hermansen used discarded materials sourced from a construction project in Sydhavnen, Copenhagen to support the structure. The main wall hosts four built-in cabinets for storage and organization. Two of the sides are comprised of large double doors that open to the outdoors. The fourth wall incorporates an entrance and a huge floor-to-ceiling window that draws in natural light while protecting from the elements when Mother Nature is in a bad mood. The interior raw lumber creates a seamless transition from the surrounding natural elements and offers a place to mount supplies. The all-wood design adds to the rustic vibe of this tiny studio pavilion. With the idea that art and nature go hand in hand, the pavilion can be moved from place to place as the need arises by loading it onto a flatbed truck. Although tiny, the pavilion offers plenty of space for storage, work or living, and it is now for sale through Adam Schnack at a $38,000 price tag. It is currently situated in a scenic location at Værløse Flyvestation, near Denmark’s largest film studio. + Anders Hermansen Design Via Curbed Images via Adam Schnack and Lars Gundersen

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A tiny, 96-square-foot rustic pavilion brings the outdoors in

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