Open-air Destination Crenshaw museum celebrates the heart of black Los Angeles

March 16, 2020 by  
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At the close of Black History Month, over 2,000 community members, business owners and artists gathered for the groundbreaking of Destination Crenshaw, an outdoor cultural experience to celebrate the heart of black Los Angeles. Designed by international architecture and design firm Perkins and Will , the beautification project will take on the appearance of an open-air, linear art museum that stretches 1.3 miles along Crenshaw Boulevard. In addition to streetscape transformations — including new public artworks, pocket parks and landscaping improvements — Destination Crenshaw also aims to use community-driven means to offset gentrification. Located along Crenshaw Boulevard from Leimert Boulevard to 60th Street, Destination Crenshaw will transform 1.3 miles of streetscape into an outdoor arts and culture experience with hundreds of new trees, 100 permanent and rotating art installations and 10 pocket parks . The project is organized into four distinct nodes that will serve as thematic design lenses. “Improvisation” at W. Slauson Avenue celebrates the community’s resourcefulness. “Firsts” at 54th Street honors past and present black pioneers, and “Dreams” at 50th Street highlights the community’s placemaking abilities. “Togetherness” at West Vernon Avenue focuses on the area’s significant cultural infrastructure, before culminating at Sankofa Park, an elevated outdoor plaza with views out onto Crenshaw Boulevard and beyond. Related: Energy-efficient affordable housing project opens in South LA “Our work on Destination Crenshaw has always centered on the theme ‘Grow Where You’re Planted,’ which is inspired by African giant star grass,” said Gabrielle Bullock, managing principal of the project. “Known to thrive in inhospitable environments, the grass reminds us of the history and resiliency of Black L.A., whose deep community roots have strengthened over the decades despite facing years of root shock.” Over 200 years of black history in Los Angeles will be documented, preserved and exhibited in the project. In the process, Destination Crenshaw will provide construction career opportunities for residents while supporting existing local businesses and regional artists. The 1.3-mile beautification project will run parallel to a section of Los Angeles Metro’s upcoming Crenshaw/LAX light rail line. + Perkins and Will + Destination Crenshaw Images via Perkins and Will

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Open-air Destination Crenshaw museum celebrates the heart of black Los Angeles

Artist suspends a giant cube filled with images of ocean plastic inside a London museum

September 26, 2019 by  
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Architectural and design studio Sam Jacob Studio has unveiled a new installation that highlights the burgeoning threat that plastic waste poses to the planet. Suspended from the ceiling of London’s V&A Museum, Sea Things is a giant, mirrored cube that emits a cartoon-style animated video. The animation takes spectators on a poignant journey from the year the first commercial plastic products were launched to 2050, the year some scientists estimate that the volume of plastic will be greater than fish in the world’s oceans. As part of London Design Festival , Sea Life greets visitors as they enter the V&A Museum’s great hall. Suspended in the air, the massive, transparent cube was inspired by a Charles and Ray Eames textile pattern found in the museum that depicts a pattern of fish and other sea creatures. However, the artist has updated the Eames pattern to reflect today’s growing ocean pollution issue. Along with a bevy of fish, a variety of waste objects found in the ocean these days, namely plastic bottles , has been added floating around in the cube. Related: Artist submerges 24 portraits underwater to raise attention about our plastic waste The animation begins in 1907, the year that one of the first commercial plastic products (Bakelite) was launched. The animation continues through the years, showing how the ocean waters have become more and more polluted with massive amounts of waste. The animation ends in 2050, the year that the Ellen MacArthur Foundation has estimated that the volume of plastic waste in our oceans will be greater than the amount of marine life. During the inauguration of the eco-art installation , Sam Jacob explained his inspiration. “The Eames’ were working in a very optimistic time when consumerism was linked to freedom. For us, now, we’re working in a very different context. Our relationship to things, to production, to ecology is far more difficult and complex,” he told journalists. “So, what we’ve done here is to remake the Eames’ pattern from the perspective of 2019.” While Sea Things is located on the ground floor, Jacob is also exhibiting a collection of ceramic water vessels in the museum’s ceramics gallery. The series reimagines some of the museum’s most historic objects remade in modern materials. For example, a water pot from China’s Ming Dynasty is reproduced in recycled plastic, and a 4,000-year-old beaker from Scotland was remade using bioplastic made from sea shells. + Sam Jacob Studio Via Dezeen Photography by Ed Reeve via Sam Jacob Studio

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Kengo Kuma unveils bold timber museum in Turkey that pays homage to the region’s Ottoman heritage

September 17, 2019 by  
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The world-renowned architects of Kengo Kuma and Associates have just unveiled a stunning museum in Turkey. Located in Eskisehir, the Odunpazari Modern Museum features several stacked timber boxes that seemingly rise out of the ground at various angles, paying homage to the city’s Ottoman heritage. Featuring a design led by Kengo Kuma partner Yuki Ikeguchi, the new 48,400-square-foot museum is a light-filled, multilevel space that holds a collection of 1,000 pieces of contemporary art . Although the artworks inside the museum are decidedly modern, the building’s design was heavily influenced by the city’s history. Related: Kengo Kuma suspends a cocoon-like timber dwelling for minimal site impact According to Kengo Kuma and Associates , the timber and stacked volumes of the Odunpazari Modern Museum were implemented into the design to reconnect the area with its heritage. For example, the word “Odunpazari” means “wood market” in Turkish. Using bold, square-edged timber logs as the building’s principle construction material pays homage to the region’s long history of wood trading. In addition to its timber materials , which feature strongly on the exterior and throughout the interior, the museum’s volume is also a nod to the city’s Ottoman history. Most of the homes in the city that date back to the Ottoman empire were built with an upper level cantilevering over a base. Using this design as inspiration, the museum features several stacked boxes that cantilever out over the ground floor base at various angles. Inside the museum, these interlocked boxes create distinct spaces of varying sizes. The larger exhibition rooms on the bottom floor house large-scale art works and installations, while the smaller boxes at the upper levels exhibit smaller artworks. A reception area and atrium are found in the middle of the museum. Clad in timber slats, a massive, central skylight leads up through the floors, welcoming natural light into the interiors of each level. + Kengo Kuma + Odunpazari Modern Museum Images via Kengo Kuma and Associates

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Kengo Kuma unveils bold timber museum in Turkey that pays homage to the region’s Ottoman heritage

Naturalis Biodiversity Center reopens with a sustainable, future-proof renovation

September 6, 2019 by  
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After nearly a year of renovations, the Netherlands’ prized Naturalis Biodiversity Center — a museum and research center with one of the largest natural history collections in the world — has just reopened to the public. The redesign was led by Rotterdam-based architectural firm Neutelings Riedijk Architects , which expanded and renovated the facility to “future-proof” standards that include 100 percent LED lighting , solar panels, green roofs and an energy-efficient climate control system. The complex also better accommodates more than 200 researchers who aim to contribute solutions to global issues such as climate change, the decline of biodiversity and food supply challenges. Located in Leiden, the Netherlands, the Naturalis Biodiversity Center was originally founded in 1820 by King Willem as a museum for natural artifacts. Subsequent mergers with other museum collections over the years has led the museum to amass approximately 42 million specimens that range from insects and fossils to a wide variety of books and photographs. To better serve the public and researchers, the Naturalis Biodiversity Center appointed Neutelings Riedijk Architects with the task of renovating approximately 18,000 square meters of the existing center and adding 20,000 square meters of new construction.  Related: Carbon-neutral science museum in Sweden will be powered by bicycles The renovated Naturalis Biodiversity Center now combines all departments — including the research activities, the collection and the museum — under one roof. The existing buildings and new extensions are connected with a new central hall with an eye-catching, honeycomb-like, white concrete facade inspired by the museum’s collections. Designed by the famous Dutch fashion designer Iris van Herpen, the curvaceous exterior is fitted with glass to create a sunny atrium that connects the existing offices and depots with the newly built museum and laboratories. In addition to the addition of sustainable features, such as solar panels and geothermal heat pump system, the renovated Natural Biodiversity Center was constructed with a robust natural materials palette to ensure longevity. The highly textured materials — that include natural stone, oak, concrete, glass and steel — will develop a patina over time to show the passage of time. + Neutelings Riedijk Architects Photography by Scagliola Brakkee Fotografie via Neutelings Riedijk Architects

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Naturalis Biodiversity Center reopens with a sustainable, future-proof renovation

Three visions unveiled for the future of La Brea Tar Pits

September 3, 2019 by  
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The Natural History Museums of Los Angeles County (NHMLAC) has unveiled three preliminary masterplan concepts for the world-famous La Brea Tar Pits — the only consistently active and urban Ice Age excavation site in the world. Copenhagen-based Dorte Mandrup , New York-based Diller Scofidio + Renfro and New York-based WEISS/MANFREDI were selected as the finalist teams in the NHMLAC-hosted “ideas incubator” in June 2019 and have presented their visions at the museum at the La Brea Tar Pits for public viewing through September 15. All three designs emphasize improving community access to the 12-acre site in addition to the creation of sustainable infrastructure and careful site preservation. Because NHMLAC is in a public/private partnership with the County of Los Angeles , all masterplan visions will emphasize the integration of the county-owned, 23-acre Hancock Park with the 12-acre La Brea Tar Pits site. Although the integration of green space with the museum collections is integral to all three proposals, each campus vision is distinct. Dorte Mandrup suggests interweaving the park, the tar pits and a lush landscape of prehistoric plants and trees as well as a Pleistocene solar pixel mural to emphasize the world’s most recent period of repeated glaciations. Related: $87M wildlife bridge in California will be a haven for mountain lions On the other hand, Diller Scofidio + Renfro’s “light touch” focuses more on museum activities and will feature a publicly accessible dig site supported by a mobile “digital rig” that can anticipate current and future digs in the park, a new light-filled lobby and an “Archive Block” that allows visitors to peer inside the Research Lab. WEISS/MANFREDI’s proposal is centered on the design of a triple mobius pedestrian pathway to connect the La Brea Tar Pits with Hancock Park, which will be surrounded by enhanced amenities. The three proposals are currently on view at the La Brea Tar Pits museum through September 15 as well as on its website . The public is encouraged to provide feedback onsite or online. In addition to public feedback, NHMLAC will consider input from a jury that it has assembled to help the selection of the one firm that will lead the masterplanning effort. + La Brea Tar Pits Images via Dorte Mandrup, Diller Scofidio + Renfro and WEISS/MANFREDI

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Three visions unveiled for the future of La Brea Tar Pits

Three visions unveiled for the future of La Brea Tar Pits

September 3, 2019 by  
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The Natural History Museums of Los Angeles County (NHMLAC) has unveiled three preliminary masterplan concepts for the world-famous La Brea Tar Pits — the only consistently active and urban Ice Age excavation site in the world. Copenhagen-based Dorte Mandrup , New York-based Diller Scofidio + Renfro and New York-based WEISS/MANFREDI were selected as the finalist teams in the NHMLAC-hosted “ideas incubator” in June 2019 and have presented their visions at the museum at the La Brea Tar Pits for public viewing through September 15. All three designs emphasize improving community access to the 12-acre site in addition to the creation of sustainable infrastructure and careful site preservation. Because NHMLAC is in a public/private partnership with the County of Los Angeles , all masterplan visions will emphasize the integration of the county-owned, 23-acre Hancock Park with the 12-acre La Brea Tar Pits site. Although the integration of green space with the museum collections is integral to all three proposals, each campus vision is distinct. Dorte Mandrup suggests interweaving the park, the tar pits and a lush landscape of prehistoric plants and trees as well as a Pleistocene solar pixel mural to emphasize the world’s most recent period of repeated glaciations. Related: $87M wildlife bridge in California will be a haven for mountain lions On the other hand, Diller Scofidio + Renfro’s “light touch” focuses more on museum activities and will feature a publicly accessible dig site supported by a mobile “digital rig” that can anticipate current and future digs in the park, a new light-filled lobby and an “Archive Block” that allows visitors to peer inside the Research Lab. WEISS/MANFREDI’s proposal is centered on the design of a triple mobius pedestrian pathway to connect the La Brea Tar Pits with Hancock Park, which will be surrounded by enhanced amenities. The three proposals are currently on view at the La Brea Tar Pits museum through September 15 as well as on its website . The public is encouraged to provide feedback onsite or online. In addition to public feedback, NHMLAC will consider input from a jury that it has assembled to help the selection of the one firm that will lead the masterplanning effort. + La Brea Tar Pits Images via Dorte Mandrup, Diller Scofidio + Renfro and WEISS/MANFREDI

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Three visions unveiled for the future of La Brea Tar Pits

Three visions unveiled for the future of La Brea Tar Pits

September 3, 2019 by  
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The Natural History Museums of Los Angeles County (NHMLAC) has unveiled three preliminary masterplan concepts for the world-famous La Brea Tar Pits — the only consistently active and urban Ice Age excavation site in the world. Copenhagen-based Dorte Mandrup , New York-based Diller Scofidio + Renfro and New York-based WEISS/MANFREDI were selected as the finalist teams in the NHMLAC-hosted “ideas incubator” in June 2019 and have presented their visions at the museum at the La Brea Tar Pits for public viewing through September 15. All three designs emphasize improving community access to the 12-acre site in addition to the creation of sustainable infrastructure and careful site preservation. Because NHMLAC is in a public/private partnership with the County of Los Angeles , all masterplan visions will emphasize the integration of the county-owned, 23-acre Hancock Park with the 12-acre La Brea Tar Pits site. Although the integration of green space with the museum collections is integral to all three proposals, each campus vision is distinct. Dorte Mandrup suggests interweaving the park, the tar pits and a lush landscape of prehistoric plants and trees as well as a Pleistocene solar pixel mural to emphasize the world’s most recent period of repeated glaciations. Related: $87M wildlife bridge in California will be a haven for mountain lions On the other hand, Diller Scofidio + Renfro’s “light touch” focuses more on museum activities and will feature a publicly accessible dig site supported by a mobile “digital rig” that can anticipate current and future digs in the park, a new light-filled lobby and an “Archive Block” that allows visitors to peer inside the Research Lab. WEISS/MANFREDI’s proposal is centered on the design of a triple mobius pedestrian pathway to connect the La Brea Tar Pits with Hancock Park, which will be surrounded by enhanced amenities. The three proposals are currently on view at the La Brea Tar Pits museum through September 15 as well as on its website . The public is encouraged to provide feedback onsite or online. In addition to public feedback, NHMLAC will consider input from a jury that it has assembled to help the selection of the one firm that will lead the masterplanning effort. + La Brea Tar Pits Images via Dorte Mandrup, Diller Scofidio + Renfro and WEISS/MANFREDI

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Thomas Heatherwick unveils massive museum carved out of a historic grain silo

September 18, 2017 by  
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Prolific architect Thomas Heatherwick just finished transforming an old grain silo in Cape Town into South Africa’s largest art museum – the Zeitz Museum of Contemporary Art Africa. The team spent years carefully renovating the silo’s 42 massive cylindrical concrete tubes into 6,000 square feet of gallery space, which will hold the world’s premier collection of African art. The grain silo has held court over Cape Town’s Table Bay harbor since 1924. Some of the building’s rough concrete walls were kept intact, while others were carved into shapes and finished with polished concrete. An 88-foot-high cathedral-like atrium sits at the heart of the museum and leads to the expansive network of 80 individual galleries. The design team preserved the silo’s bold concrete exterior while updating it with bulging glass windows that flood the interior with natural light . The renovation of the historic building was quite complicated, considering the tubular shape of the silos . Heatherwick told Dezeen, “It became like archaeology, like excavating out gallery spaces, but not wanting to obliterate the tubularity completely. We realized we needed to do something that your eye couldn’t instantly predict,” he explained. “Our role was destructing rather than constructing, but trying to destruct with a confidence and an energy, and not treating the building as a shrine.” The Zeitz Museum is just one part of the large waterfront complex that will eventually include bars and restaurants. The swanky Royal Portfolio Hotel , which was built into the silo’s grain elevators, opened earlier this year. + Thomas Heatherwick Studio Via Dezeen

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Thomas Heatherwick unveils massive museum carved out of a historic grain silo

Provocative street art installation shows baby peering over US-Mexico border wall

September 18, 2017 by  
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Renowned street artist JR has installed a provocative new piece on the US-Mexico border. Best-known for his artistic commentary on social issues, JR reportedly designed a poster of a large baby peering over the border fence from the Mexican side. MyModernMet reported that the piece was installed in response to Donald Trump’s border wall rhetoric, as well as his efforts to rescind the DACA program that protects children of undocumented immigrants from being deported. The installation, entitled Kikito, is visible from the American side. Marc Azoulay, who manages JR’s New York Studio, said Kikito is the nickname of a 1-year-old Mexican boy who resides in Tecate, Mexico, where the installation is located. The activist and his team constructed an enormous wooden frame to support the gigantic poster. The project organized with renowned curator Pedro Alonzo  (who has worked with  Os Gemeos ,  Banksy , and  Swoon ) is still a work in progress. Work in progress on the Mexican side of the US/MEXICO border A post shared by JR (@jr) on Sep 6, 2017 at 1:33pm PDT Related: Street artist uses reverse graffiti to transform dirty cars into animal art As MyModernMet reports, JR’s work always centers on faces. His goal is to prove that if we look at one another without prejudice, the world would be a much different and better place. For his work on the separation wall between Israel and Palestine , for instance, the street artist pasted Palestinian portraits on the Israeli side and Israeli portraits on the Palestinian side. When all was done, people couldn’t distinguish one from the other. This newest installation is additional evidence that JR isn’t afraid to tackle difficult topics. JR told MyModernMet : “I think there is no such thing as art trying to change the world. But being an artist and creating art in tons of different contexts, no matter what the mood is and sometimes against the codes that stand around you, is a way of breaking society and changing the world—just by trying.” It was immensely gratifying to work on this project on the US/Mexico border with @JR and his amazing team. Thank you to everyone who made this possible. A post shared by Pedro Alonzo (@trucatriche) on Sep 6, 2017 at 11:09pm PDT ART PROJECT at the US/MEXICAN border – live now A post shared by JR (@jr) on Sep 5, 2017 at 10:46am PDT + JR Via MyModernMet Images via JR

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Provocative street art installation shows baby peering over US-Mexico border wall

Dimension Plus turned Oreo cookies into edible records that play music

September 18, 2017 by  
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As if they weren’t sweet enough, now Oreo cookies have been converted into edible records that play music! Designed by the creative minds at Dimension Plus , Oreo Vinyl embosses actual Oreo cookies with tiny grooves, just like vinyl records – except they’re edible. The musical treats even come in cardboard packaging that can be transformed into a mini record player. The musical cookie was designed as part of a campaign aimed at marketing the iconic treat to teenagers, converting the sweet treat into a music playing record by employing the same concept of manufacturing a vinyl record . Local musicians were even brought on board to recreate the original Oreo theme music in their own individual styles. Related: And Vinyly Turns Your Remains Into a Vinyl Record When You Die The music was transformed into a pattern and converted into a format compatible with laser-engraving and then embossed on the cookie surface thanks to innovative laser cutting and engraving techniques. The Oreo Vinyl was recently awarded the Visual Communication Design Award in the annual Golden Pin Design Awards in Taiwan. + Dimension Plus Images via Taiwan Design Center and Dimension Plus

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Dimension Plus turned Oreo cookies into edible records that play music

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