Snarkitectures Fun House will take over the National Building Museum

May 2, 2018 by  
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It’s almost that time again—the National Building Museum’s (NBM) Great Hall will undergo another dramatic transformation as part of its ongoing Summer Block Party series, this year under the direction of New York-based Snarkitecture . Returning after their wildly popular ‘The Beach’ NBM installation from 2015, the design studio recently unveiled designs for ‘Fun House,’ a comprehensive museum exhibition housed within a freestanding gabled structure. Created in the image of a giant traditional home, Fun House will comprise rooms exhibiting well-known Snarkitecture projects that trace the firm’s 10-year history. National Building Museum’s Summer Block Party is one of Washington, D.C.’s most anticipated architecture events every year thanks to its interactive, family-friendly installations by major design names including the likes of Bjarke Ingels Group , Studio Gang, and James Corner Field Operations. One of the most popular NBM exhibitions to date has been Snarkitecture’s The Beach, which filled 10,000 square feet of the historic Great Hall with nearly one million recyclable plastic balls. Snarkitecture’s Fun House will, for the first time, take up the entirety of the Great Hall. The exhibition, curated by Italy-based Maria Cristina Didero, will lead visitors through a sequence of interactive rooms with recreations of Snarkitecture’s important projects, such as The Beach -inspired kidney-shaped ball pit. The Fun House opens to the public July 4 through September 3, 2018 and will be complemented by a full schedule of programs and special events. Related: Gigantic swimmable ball pit takes over D.C.’s National Building Museum “Fun House represents a unique opportunity for us to bring together a number of different Snarkitecture-designed interiors, installations, and objects into a single, immersive experience,” said Alex Mustonen, co-founder of Snarkitecture. “Our practice aims to create moments that make architecture accessible and engaging to a wide, diverse audience. With that in mind, we are excited to invite all visitors to the National Building Museum to an exhibition and installation that we hope is both unexpected and memorable.” + Snarkitecture Images via Snarkitecture , photographs by Noah Kalina

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Snarkitectures Fun House will take over the National Building Museum

Former car factory to house Brussels "Centre Pompidou" cultural hub

March 26, 2018 by  
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A former Citroën car factory will be transformed into a major cultural hub for Brussels —the KANAL – Centre Pompidou comprising a Museum of Contemporary Art, architecture center, and other public art spaces. EM2N , noAarchitecten , and Sergison Bates won a design competition to lead the design of the €125 million adaptive reuse project. The historic 1930s building was selected for its size—an expansive 215,000 square feet—and prime location in the heart of the Brussels-Capital Region at the center of the Plan Canal. “The proposal for Kanal reflects on the position of the twenty-first century museum in society,” wrote the architects. “The building is located in the heart of the Plan Canal, the area where new developments focus on a contemporary mix of housing, working, leisure and production spaces– the activity that is historically linked to the canal area.” The Centre Pompidou scheme begins with the restoration of the former Citroën garage followed by the insertion of three volumes for the art museum , architecture center, and 400-seat auditorium. Related: A futuristic mirrored agora is landing in Brussels like a giant flying saucer Wraparound glazing and skylights create transparency and allow ample amount of natural light indoors. To reduce the building’s energy footprint, each of the three inserted volumes will be equipped with individual climate control while other energy-saving measures will be used throughout the rest of KANAL. Construction is slated to begin fall 2019 and the museum is expected to open in 2022. + Centre Pompidou Via Dezeen Images by NOA / EM2N / SBA

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Former car factory to house Brussels "Centre Pompidou" cultural hub

Futuristic spaceship Lucas Museum breaks ground in Los Angeles

March 16, 2018 by  
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MAD Architects has revealed new renderings of the Lucas Museum of Narrative Art that’s just broke ground in Los Angeles’ Exposition Park this week. Founded by “Star Wars” creator George Lucas , the museum will take on a fittingly futuristic spaceship-like appearance crafted in MAD Architects’ iconic curvaceous style. The $1.5 billion museum is expected to be complete and open to the public by the second half of 2021. Since winning the International Competition of the Lucas Museum of Narrative Art in 2014, MAD Architects has developed three unique designs for the Lucas Museum of Narrative Art, each of which respond to the three proposed project locations in Chicago, San Francisco, and Los Angeles. The non-profit museum’s confirmed home in Los Angeles sits on approximately 11 acres of land in Exposition Park and will feature at least $400 million worth of art spanning Narrative Art, the Art of Cinema, and Digital Art. Related: The Lucas Museum of Narrative Art will bring a massive 11-acre green roof to Los Angeles “It appears as if a futuristic spaceship, with a mysterious and surrealistic attitude, has “landed” on the site’s natural environment,” wrote MAD Architects. “People from all walks of life are welcome to feel and appreciate this cultural paradise. The interior of the building has been designed as a huge bright and open cave. Skylights allow sunlight to flood the interior space, and guide visitors through the museum’s various programs. The first floor and roof of the building are expansive public areas that can be enjoyed by everyone. People can exercise here, relax, talk to the surrounding natural environment, and directly experience nature in the urban environment.” + MAD Architects Via ArchDaily Images via MAD Architects

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Futuristic spaceship Lucas Museum breaks ground in Los Angeles

Perkins+Will unveil designs for Suzhou Science & Technology Museum

February 1, 2018 by  
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The Chinese city of Suzhou is ringing in the New Year with newly unveiled renderings of a green-roofed behemoth of museum rivaling those found in its ritzier cousin, Shanghai. Perkins+Will is behind the design of the Suzhou Science Technology Museum, still in its conceptual phase, that’s expected to cover 600,000 square feet. Inspired by the Chinese philosophy of shan sui (mountain and water), the project will be integrated into nature and form the centerpiece of a new cultural district in Shishan Park. It’s little wonder Perkins+Will was tapped for the project; the international architecture firm was also behind the spectacular Shanghai Natural History Museum . The proposed Suzhou Science Technology Museum will be located at the foot of Lion Mountain and next to Shishan Lake. Exhibitions will be housed within a 66,700-square-foot ribbon-shaped building that emerges from the base of the mountain, twists upwards, and then double backs onto itself and into a dramatic cantilever over the lake edge. The form draws inspiration from the infinity loop and is meant to evoke a flowing silk scarf, one of Suzhou’s most famous exports. Related: Form follows function at Shanghai’s new bioclimatic Natural History Museum Like the Shanghai Natural History Museum, the Suzhou Science Technology Museum will boast several green features from the green roof atop the exhibition hall to the addition of new man-made, teardrop-shaped Eco Islands that will be vegetated, accessible to the public, and serve as a natural filtration system for the lake. Natural light is optimized indoors, while a planted forest buffer provides a respite of fresh air from city smog. Permeable paving and bioswales will be integrated into the civic plaza designs and a water restoration strategy will be put in place. + Perkins+Will Via ARCHITECT Magazine Images via Perkins+Will

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Perkins+Will unveil designs for Suzhou Science & Technology Museum

Oldest living manatee in captivity, Snooty, dies at age 69

July 25, 2017 by  
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Grab your tissues, folks. A 1,300-pound manatee named Snooty recently passed away after celebrating his 69th birthday. In the wild, manatees are fortunate to live into their teens, which is partly why the elder marine mammal was beloved by so many. According to the South Florida Museum, Snooty’s death was accidental and that the circumstances are being investigated. Snooty was born in captivity in 1948 — before laws were passed to protect marine wildlife . Every year, a party was thrown to celebrate the manatee’s birthday. This year, thousands of people traveled from all over to visit the celebrity mammal. Regarding Snooty’s untimely death, the museum said in a press release, “Snooty was found in an underwater area only used to access plumbing for the exhibit life support system. Early indications are that an access panel door that is normally bolted shut had somehow been knocked loose and that Snooty was able to swim in. Snooty’s habitat undergoes a daily visual inspection and there were no indications the previous day that there was anything amiss. The Aquarium will remain closed while Museum staff continues its investigation and staff who worked with him have an opportunity to grieve.” In 2015, the manatee was certified as the world’s oldest captive manatee by the Guinness World Records . Just a handful of years prior, he gained notoriety when his life history made him one of the most renowned stewards for endangered species and the environment. Following the manatee’s death, the museum posted on their Facebook page, saying: “We know that our community and Snooty fans around the world share our grief.” (function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = “//connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.10”; fjs.parentNode.insertBefore(js, fjs);}(document, ‘script’, ‘facebook-jssdk’)); The South Florida Museum is deeply saddened to share the news that our beloved Snooty has died. Snooty’s death was a… Posted by South Florida Museum on  Sunday, July 23, 2017 Via BayNews9 Images via Sarasota Herald Tribune , Wikimedia Commons

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Oldest living manatee in captivity, Snooty, dies at age 69

New Traveler XL Limited tiny house can comfortably sleep up to 10 people at once

July 25, 2017 by  
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This tiny home on wheels features a surprisingly spacious interior that can sleep up to 10 people. The new Escape Traveler XL Limited comes with two bedrooms, 344 cleverly-designed square feet, and it can go completely off the grid with solar panels, battery storage and composting toilets. The Traveler XL Limited features the modern, clean design of the original, but offers much more space and a wide array of functions and amenities. Based on a triple-axle trailer, the Traveler XL Limited measures 30 feet (9.1 meters)-long and has a total floorspace of 344 square feet (32 square meters). Related: Georgia couple convert old Blue Bird school bus into a cozy home on wheels It features larger windows and optional extras like a sofa bed, a pop-up TV, and Blu-ray player. The kitchenette includes a range cooker and sink, which the bathroom includes a 5-foot-long tub and shower, toilet, and cabinet, with an optional washer/dryer. The new Traveler XL Limited can accommodate up to ten people, assuming a few of those are kids. The design also offers off-grid options with the standard solar package packing a 500 W solar panel array, linked to an upgradable 200 Ah battery storage. A standard RV hookup is also available, as are composting and non-composting toilets. The Traveler XL Limited starts at US$78,500. + Escape Traveler Via New Atlas

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New Traveler XL Limited tiny house can comfortably sleep up to 10 people at once

Provocative timber horn explores the hypnotic pull of the unknown

July 24, 2017 by  
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Digital fabrication and traditional woodworking fuse together in Y, a modern sculpture with a provocative and pixelated appearance. A team of international architects and carpenters comprising &’ [Emmi Keskisarja & Janne Teräsvirta & Company Architects] collaborated with the Finnish National Museum to create the funnel-shaped art piece in Helsinki’s Seurasaari open-air museum. The intriguing artwork is built from horizontal prefabricated cross-laminated timber elements interlocked by 568 timber wedges. The temporary Y was built in the historical Niemelä Tenant Farm courtyard , creating a new social space on museum grounds. “Y is an equation of temporality, time and provocative use of wood in the museum milieu,” wrote the architects. “As Y is the mathematical symbol for the unknown, the installation Y points to the future and the possible outcomes of Nordic built heritage. In Niemelä, Y is a variable within the parameter of time.” The funnels-shaped sculpture is large enough to climb into and explore like a cave, and its hypnotic effect encourages meditative practice. Related: Palestinian architects give the ancient stone vault a modern twist in Jericho Architecturally, the most interesting aspect of Y is its combination of digital fabrication with traditional woodworking . The project’s carpenters used traditional handicraft methods to help develop the project, while the architects brought their set of digital design and production tools to the table. The result is a sculpture that functions like a giant wooden joint that’s built from prefabricated cross-laminated timber elements. The use of timber gives the artwork a feeling of familiarity, however the pixelated appearance adds a touch of the futuristic and unknown. + &’ [Emmi Keskisarja & Janne Teräsvirta & Company Architects] Images by SWANG

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Provocative timber horn explores the hypnotic pull of the unknown

Amazing Hive comes alive with sights and sounds in Washington, D.C.

July 13, 2017 by  
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Incredible sights and sounds have popped up at the National Building Museum in the heart of our nation’s capital. Thousands of giant paper tubes have been stacked together to construct soaring mountain-like structures in the Hive, an interactive sculpture created by Studio Gang Architects for the museum’s annual Summer Block Party. Read on to see the interior of the stunning installation and to hear the Hive come alive. Every year, the National Building Museum invites a different architecture firm to craft a large-scale, immersive installation for its Great Hall. Past projects included BIG’s concave Maze , Snarkitecture’s massive BEACH ball pit , and James Corner Field Operations’ cool ICEBERGS . Studio Gang Architects created the museum’s tallest installation yet that comprises 2,551 Sonotubes, wound paper tubes typically used to pour concrete. If laid end-to-end, the recyclable tubes would measure over a mile in length and have a combined weight of 72,961 pounds. A giant Hive has popped up in D.C.! Explore the National Building Museum's summer installation by Studio Gang Architects. It's made with #recyclable materials, interactive, and absolutely massive. #hivedc @nationalbuildingmuseum @studiogang #architecture #dc #washingtondc #ecofriendly ?: @landscapevoice A post shared by Inhabitat (@inhabitatdesign) on Jul 11, 2017 at 9:10am PDT To complement the National Building Museum’s neoclassical Great Hall, Studio Gang Architects used a silver shade for the tube exterior. The tube interior and the Hive floor were painted magenta, a color inspired by the pink used in the Women’s March in Washington, D.C. last January. Ninety different tube sizes were used to construct the three interconnected chambers and allow filtered light into the spaces to create beautiful patterns of light and shadow that change throughout the day. Related: ICEBERGS immerse visitors in a beautiful underwater world in Washington, D.C. “We’ve also incorporated a lot of sound elements in here,” Emma Filar, NBM’s Interim Director of Marketing & Communications told Inhabitat. “Jeanne Gang, the founding principal of Studio Gang, is really interested in the way that people move through spaces and how they interact with space here, so that’s why we have instruments inside. Sound travels in a really interesting way through these paper tubes; they both absorb sound and reflect it in different ways.” Visitors at the Hive are free to play with the installation’s many instruments, which range from hanging wind chimes constructed from a variety of materials including wrenches, CDs, and metal pipes. Some paper tubes are used as drums, while others are combined with other common building materials like pipes to create more complicated instruments. Round openings at the top of each chamber allow natural light into the chambers and frame views of the Great Hall’s ceilings and columns. The Hive also has a hands-on building area, where people can play with paper diskettes to build their own structures. The National Building Museum will host a full slate of programs that complement the installation, from concerts to late-night events with food. The Hive is open to the public July 6 through September 4, 2017. + Studio Gang Watermarked photos © Lucy Wang , non-watermarked photos © Tim Schenck

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Amazing Hive comes alive with sights and sounds in Washington, D.C.

Worlds first porcelain courtyard opens at Londons V&A Museum

June 30, 2017 by  
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London’s world-renowned Victoria & Albert Museum has made art even more accessible to the masses with the completion of the V&A Exhibition Road Quarter. Set to open today, this beautiful and unique civic space includes the “first outdoor porcelain courtyard in the world” as well as a new subterranean exhibition hall. Designed by AL_A , this alternative museum entrance is the V&A’s largest architectural intervention in over a century. Created over the course of six years, the V&A Exhibition Road Quarter transformed the museum’s former boiler house yard into a new arts destination. The design includes the underground Sainsbury Gallery, a flexible 1,100-square-meter column-free exhibition gallery; the Sackler Courtyard, the world’s first porcelain public courtyard; the Blavatnik Hall, a new entrance into the V&A from Exhibition Road; and the Aston Webb Screen, a newly created colonnade with 11 openings. The £54.5 million project is part of the museum’s FuturePlan scheme that has updated two thirds of the V&A’s public spaces in the past 15 years. The V&A Exhibition Road Quarter is envisioned as bridge between the city and the museum, and a reflection of the founding mission to democratize access to culture and education. “The V&A Exhibition Road Quarter reframes the relationship between street and Museum, breaking down the barrier between the two,” says a press release. “We have created a less formal, more public place that is as much of the street as it is of the Museum, attracting and welcoming in new audiences, and making ideas of accessibility and democracy very explicit.” Related: Robots weave an insect-inspired carbon-fiber forest in London The Sackler Courtyard is paved with 11,000 handmade porcelain tiles produced after two years of research and development. This new public space also hosts a cafe with furniture designed by AL_A and reveals architecturally significant facades and details never seen before by the public, such as the sgraffito decoration on the side of the Henry Cole Wing. Over 22,000 cubic meters of earth were removed from the site, 99% of which was recycled. In celebration of the project’s opening, the V&A is hosting REVEAL, a free, week-long festival from June 30 to July 7. + AL_A Images © Hufton + Crow

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Worlds first porcelain courtyard opens at Londons V&A Museum

Futuristic solar fabric canopy reacts to heat, sunlight, and movement

June 28, 2017 by  
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MoMA PS1 just completed one of its most experimental and coolest installations to date. The Long Island City-based contemporary art museum wrapped up construction on Lumen, an immersive and interactive installation made with solar-active canopies that glow at night. Designed by Jenny Sabin Studio , Lumen reacts like a living entity to light, heat, and movement, creating different engaging environments from day to night. Set to open to the public Thursday, June 29, Lumen will be on view in MoMA’s PS1 courtyard during summer 2017. The futuristic canopy was selected as the winner of The Museum of Modern Art and MoMA PS1’s annual Young Architects Program that challenges emerging designers to create a temporary, outdoor installation addressing environmental issues and forward-thinking design. Jenny Sabin Studio designed Lumen with over a million yards of digitally knitted fiber made from recycled photo-luminescent textiles that absorb solar energy during the day and emit glowing hues of blue, pink, and purple at night. The cellular canopies are stretched overtop the courtyard and give the space an extraterrestrial vibe. Suspended from the canopy like stalactites are 250 tubular structures. A hundred robotically woven recycled spool stools are scattered throughout the courtyard like stalagmites. Related: Futuristic canopy made of knitted solar panels wins 2017 Young Architects Program at MoMA During the day, the canopy’s integrated misting system sprays water to cool visitors in hot weather. Lumen’s use of mist for cooling and its multicolored glowing backdrop at night creates a dynamic setting for the 20th season of Warm Up , MoMA PS1’s pioneering outdoor music series. MoMA PS1 writes: “Socially and environmentally responsive, Lumen’s adaptive architecture is inspired by collective levity, play, and interaction as the structure transforms throughout the day and night, responding to the density of bodies, heat, and sunlight. The result of collaboration across disciplines, Lumen applies insights and theories from biology, materials science, mathematics, and engineering—integrating high-performing, formfitting, and adaptive materials into a structure where code, pattern, human interaction, environment, geometry, and matter operate together.” + Jenny Sabin Studio Images by Pablo Enriquez

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Futuristic solar fabric canopy reacts to heat, sunlight, and movement

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