UK’s Guardian switches to biodegradable wrapping for newspapers

January 17, 2019 by  
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The Guardian — a national newspaper in the U.K. — has ditched its polythene packaging and replaced it with a compostable wrapper in an effort to reduce plastic waste. The newspaper and its inserts are now packaged in a clear, biodegradable material made from potato starch that will completely compost in just six months. The choice to scrap the plastic packaging makes The Guardian the first national newspaper in the U.K. to make such a switch, following publications like the National Trust members’ magazine and the New Internationalist. The switch to biodegradable packing will increase the paper’s production costs, so the price of print editions of The Guardian and its sister paper The Observer will go up. However, this is what their customers wanted. The weekday edition will rise in cost by 20p, and the Saturday edition will increase 30p. The Observer will also go up 20p. Related: UK’s Co-op to ditch single-use plastic bags for biodegradable bags This past weekend, The Guardian subscribers in London, Kent, Essex, Hertfordshire, Norfolk and Suffolk received the new packaging with their Sunday edition. The newspaper will gradually implement the packaging change across the entire country over the next few months. Guardian to be first national newspaper with biodegradable wrapping https://t.co/Yh88bMEXXD — The Guardian (@guardian) January 11, 2019 Readers in the Greater London area who use The Guardian’s home delivery service will also receive their weekday editions in the potato starch packaging. Related: 100% biodegradable, edible packaging is so much better than plastic The new biodegradable packaging on The Guardian includes instructions for customers to not to recycle the material but to instead dispose of it on a compost heap or in a food waste bin. + The Guardian Via Dezeen Image via Andrys

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UK’s Guardian switches to biodegradable wrapping for newspapers

Solar-powered floating hotel room is designed to pop up anywhere on water

January 17, 2019 by  
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Valencia-based architecture firm Mano De Santo has proposed a plug-and-play hotel room that could be easily transported and installed thanks to its modular, off-grid design. Dubbed the Punta de Mar Marina Lodge, the conceptual floating pavilion is a sustainable tourism initiative that targets low environmental impact. Powered with solar energy , the Punta de Mar Marina Lodge would offer a private and luxurious experience on the water for two. Unveiled last year, the Punta de Mar Marina Lodge is envisioned to house two levels spanning a total of 74 square meters in size. The ground floor — approximately 40 square meters — includes a small front terrace that opens to the bedroom, which overlooks views of the water through full-height glazing. The bathroom, technical equipment and storage are tucked in a unit behind the bed, while a small outdoor terrace is located in the rear. Guests can also enjoy access to the roof, where an open-air lounge with seating is located. “Punta de Mar is a sustainable tourism initiative, since it does not generate waste because it is an installation of modules whose system is the ‘Plug & Go,’” the architects said in a project statement. The team also explained that the unit is integrated into its environment with low impact. The hotel can be easily relocated — it can be transported by land or sea — and can be enjoyed in an array of different settings for “unique and exclusive experiences.” Related: This modular outdoor swimming pool from Finland could make a splash near you In addition to the off-site prefabrication of the unit that minimizes waste, the Punta de Mar Marine Lodge was designed to follow passive solar principles to reduce energy usage. Moreover, the indoor temperature, lighting, alarm system and entertainment system can all be controlled remotely via the guests’ smartphones. + Mano De Santo Via ArchDaily Photography by Sergio Belinchon via Mano De Santo

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Solar-powered floating hotel room is designed to pop up anywhere on water

A London office boasts biophilic design for a healthier, happier workplace

November 12, 2018 by  
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A new experimental office on the 12th floor of The Shard in London offers a breath of fresh air … literally. Wrapped in bamboo surfaces and punctuated by living plants, facilities management company Mitie’s headquarters in London was created by local practice DaeWha Kang Design . The biophilic project — dubbed the Living Lab at The Shard — mimics nature from its natural materials palette to the circadian lighting system linked to an astronomical clock. As its name suggests, the Living Lab at The Shard will be used as a pilot study to measure the impact of biophilic design on worker wellness and productivity. In addition to the client, the project was created in collaboration with Dr. Marcella Ucci (head of the MSc in Health, Wellbeing and Sustainable Buildings at the University College of London). A post-occupancy study will compare daily surveys of Mitie employees who will work at the Living Lab desks for four weeks at a time followed by a four-week work period in a “control area” on the same floor with similar environmental conditions but without biophilic design. “Biophilia refers to human beings’ innate need for a connection with nature,” DaeWha Kang Design said in its press release. “Human physiology is wired to seek qualities of light, view, material and other factors common in the natural world. The Living Lab is fully immersive, with rich and intricate patternization, natural materials  and interactive and dynamic lighting.” Related: This dreamy cluster of cabins houses light-filled live/work spaces in Hokkaido The project comprises two main spaces: the “Living Lab” immersive work environment and two “Regeneration Pods” for short-term rest and meditation. Bamboo was used for the sculptural privacy screens that curve up at the ceiling; different textures and shades of bamboo were also used for the floor, desks and task lights providing a warm contrast to The Shard’s cool glass-and-metal palette. The Regeneration Pods, also built of bamboo, were created by combining digital fabrication with hand-finishing techniques and feature plush built-in seating that faces walls of glass for city views. A subtle circadian lighting system uses color-changing lights to mimic the sun — a cool blue is cast in the morning that changes to bright white in the afternoon and finally reaches a fiery orange near sunset. + DaeWha Kang Design Images by Tom Donald for Aldworth James & Bond and Kyungsub Shin via DaeWha Kang Design

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A London office boasts biophilic design for a healthier, happier workplace

Passenger service Gett launches carbon-free travel in the UK

September 14, 2018 by  
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The global, on-demand transportation service Gett is embarking on a new endeavor — implementing carbon-free and carbon-positive rides for all of its passengers. The company’s announcement features several initiatives to help accomplish this benchmark, and Gett’s success would make it the first major taxi app in the U.K. to attain a carbon-neutral status. With air quality continuously deteriorating to dangerous levels in several U.K. cities, the company is proud to become a first responder to the growing crisis. “Air quality is increasingly becoming more of an issue, not just in London, but across the U.K.,” Matteo de Renzi, CEO of Gett U.K., said. “By becoming carbon neutral, we’re incredibly proud to be helping cities achieve cleaner air and reduce pollution levels. By offsetting the CO2 our U.K. rides produce, we will positively impact multiple climate projects across the globe.” Related: Lyft is making all its rides carbon neutral In partnership with Carbon Clear, a global provider of energy and carbon sustainability solutions, Gett plans to ensure carbon neutrality by offsetting 7,500 tons of carbon dioxide — the amount of carbon dioxide emissions the company projects to release within the next 12 months — through various international programs. “The science tells us that carbon neutrality is necessary to protect the planet and sustain our livelihoods,” said Mark Chadwick, CEO of Carbon Clear. Together, the duo will be reducing pollution levels through a Wind Power Generation project in India that displaces the burning of fossil fuels. The team will also be supporting the Madre de Dios Project in Peru’s Amazon jungle to reduce deforestation. “The offsetting projects that Gett is supporting are subject to rigorous international standards to ensure they deliver the promised emissions reductions,” Chadwick said. “As well as this, these projects support sustainable development in international communities and have a tangible impact on people’s lives.” Related: Google Street View cars will map air pollution in cities worldwide Riders will also have the option to offer their own contribution of 20p ($0.26) to their Gett Green journeys if they wish, an action that will make each ride a carbon-positive experience on a long-term scale. The donations will be used to fund London schools that have been identified by the mayor’s school air quality audit program . This initiative is set on reducing emissions around London schools and mitigating youth exposure to heightened nitrogen dioxide levels. Gett will also continue to support electric and hybrid taxi conversions in cities such as Coventry, Edinburgh, Glasgow and London. The fully-certified electric taxis , made specifically to address growing pollution problems, are the first ever to be introduced on U.K.’s streets. Mindful to the core, Gett will not be adding extra vehicles to already-congested roads. Instead, the company wishes to continue its efforts in urban mobility improvement by reducing the amount of vehicles in circulation through its black car service gone green. + Gett + Carbon Clear Images via Gett

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Passenger service Gett launches carbon-free travel in the UK

19 mayors, thousands of buildings, zero carbon emissions by 2030

August 27, 2018 by  
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A coalition formed by 19 mayors of major U.S. cities including New York, Los Angeles, San Francisco and Washington D.C. has proposed a plan to ensure that all new buildings be net-zero by 2030. The mayors are part of a group of cities, known as  the C40 , dedicated to climate action. The cities’ initiative is part of a larger plan to make both old and new buildings net-zero by 2050. Related: This revolutionary sustainable community in Atlanta is still thriving 15 years after its founding Net-zero buildings are extremely efficient and powered exclusively by renewable energy sources, often found on-site. Making new buildings net-zero would therefore have a massive impact on cities’ greenhouse gas emissions. Buildings account for over half of greenhouse gas emissions within large cities; for some older cities, such as London and Paris, buildings can account for almost 70 percent. The C40 mayors are committed to lowering these figures. “Ensuring Portland’s old and new buildings achieve net zero carbon use is an essential challenge I am ready to take on,” announced Mayor Ted Wheeler of Portland, Oregon, one of the cities that signed the pledge. “Portland has been a longtime global leader in environmental initiatives and I look forward to continuing to advocate and fight for ambitious environmental strategies.” Related: SOM’s net-zero Paris skyscraper will be one of the most sustainable buildings in Europe The cities will join forces with the World Green Building Council (WorldGBC), the organization that set the 2030 benchmark, to achieve their emissions goals. The mayors will meet again as part of the Global Climate Action Summit  in San Francisco. California has taken a strong stand for climate action, with the goal of making all new buildings net-zero by 2020, a decade earlier than the date in the C40 pledge. Many of the cities in the C40 group have pledged to create fossil-fuel-free streets and use zero-emission buses. This latest pledge to make new buildings net-zero is yet another step in the right direction. + WorldGBC Via Curbed

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19 mayors, thousands of buildings, zero carbon emissions by 2030

Prefab open-air theater pops up with speed in a London park

August 6, 2018 by  
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Completed in just seven months, the Regent’s Park Open Air Theater in central London is yet another example of how prefabrication can be a fantastic solution for site-sensitive projects strapped for time. Local architecture firm Reed Watts Architects designed the theater using a lightweight cross-laminated timber (CLT) panel system. Set amidst protected Royal Parks trees, the cultural institution houses new rehearsal studios and a catering kitchen, marking the first time in the theater’s 86-year history that its operations have been brought together onto one site. Spanning an area of over 5,000 square feet on the far corner of the site, the Regent’s Park Open Air Theater is designed to host over 1,200 people every night during the summer season. The architects installed the building during the winter season, when the Theater was closed, atop relatively small foundations to minimize site impact. The building exterior is clad in dark-stained larch at its base with more textured cladding higher up; the overall effect helps the structure recede into the landscape and makes it look like a natural extension of the existing Theater buildings. “Reed Watts have succeeded in delivering a significant new rehearsal facility for the theatre, as well as a state of the art kitchen to support the commercial catering arm of our business,” said William Village, Executive Director of Regent’s Park Open Air Theater. “Efficiently utilising every inch of the available footprint, the sense of scale when entering the building is impressive, and yet the design is sympathetic to the magical ambience of the Open Air Theatre. Realised with an acute understanding of the natural environment and the importance of our location in the heart of Regent’s Park, one might be forgiven for assuming that these new buildings have always been a feature of the theatre’s infrastructure.” Related: A prefab chapel’s sculptural form amplifies the landscape in Uruguay Most of the programs are located on the first floor; however, a floor above provides extra room for rehearsal spaces and a green room. The new studio is double-height to provide added flexibility for dancers, actors and acrobats. The space is illuminated by roof lights and tall windows, heated with underfloor heating and mechanically ventilated (and cooled) from upper-level ductwork. + Reed Watts Architects Via ArchDaily Images by Simone Kennedy and David Jensen

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Prefab open-air theater pops up with speed in a London park

Former businessman bicycles down the Thames River to stop plastic pollution

July 31, 2018 by  
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Dhruv Boruah, a former management consultant turned environmental hero is cleaning up the Thames River in London on a floating bicycle. The endeavor, named The Thames Project , is more about striking up conversations with passersby and raising awareness than it is about removing all of the plastic waste from the canals — an impossible feat for the one man show that is Boruah. The self-constructed rig, made up of a bamboo bicycle with yellow floats on either side, a rudder and a pedal-powered propeller in the front, has retrieved thousands of kilograms of plastic waste since beginning the project in 2017. “It’s a great conversation starter, and then I can tell them about my work, the plastic and how it all starts here in the canals,” he told CNN while on one of his “off-road cycling” missions. Related: A massive five-ton plastic waste whale breaches in a Bruges canal The 35-year-old philanthropist was impassioned by a yacht racing expedition from London to Rio de Janiero that left him thinking a lot about the dangers of plastic pollution . It was on this undertaking that Boruah had learned of the fortunate rescue of two turtles who were tangled in plastic in the middle of the Atlantic Ocean. “Plastic is now in the air we breathe, the water we drink and the food we eat,” he explained. “You have to care because it’s about you, your health and the health of your children. Why are we destroying this planet for them?” Boruah’s bicycle nets are often filled with single-use plastic items such as styrofoam containers and water bottles. These get broken down into tiny microplastics over time that not only pollute the oceans, but also affect our air and food. When he is not striking up conversations with curious onlookers, Boruah is working with councils, businesses and communities to educate and encourage them to take action against plastic pollution. + The Thames Project Via CNN Images and video via Dhruv Boruah

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Former businessman bicycles down the Thames River to stop plastic pollution

This gabled home wraps around an existing pine tree in Mexico

July 31, 2018 by  
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The magnificent pines of Mazamitla, Mexico are more than just scenic background for this single-family home—one of the trees has been integrated into the architectural design itself. Architects Alessandra Cireddu and Carlos M. Hernández of Barcelona-based design practice Espacio Multicultural (de) Arquitectura (EMA) crafted the ‘House Around a Tree,’ a single-story abode punctuated by a mature pine tree. The house further embraces the landscape with its use of natural materials and an outdoor, cantilevered terrace that opens up to northwest-facing views of the village below and forest and mountains beyond. Set on a steeply sloped site, the House Around a Tree matches its narrow and linear plot with its rectangular mass. Measuring over 65 feet in length and nearly 20 feet in width, the home has an introverted appearance at first glance—a thick, nearly 10-foot-tall wooden door marks the entrance and, along with the opaque stone side wall , insulates the home from outside street views. The home interior, however, is an entirely different story. Stepping past the entrance takes visitors into an airy void punctuated by the mature pine tree, while large glazing on the southwest side of the home brings sweeping landscape views into the living spaces and bedroom. Related: A cypress tree grows through this hillside home in Los Angeles “The gable roof evokes the geometry of the traditional houses of the region, which is trimmed by a void which contains the pine,” explain the architects. “The natural location of the pine divides the house into 2 areas: the first one on the east side where the main room with bathroom and dressing room is located and separated from the rest of the house; the second one on the west side where we find the public areas, two bedrooms and a wooden volume containing the wet areas (laundry, half bath and full bathroom) that breaks with the constant linearity of the project both inside and outside.” + EMA Images by Patricia Hernandez Fotografia

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This gabled home wraps around an existing pine tree in Mexico

Colorful raised gardens bring greenery and shelter to the Thames riverfront

July 27, 2018 by  
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Cities across the world are reclaiming their waterfronts – and that includes London, where a series of verdant gardens are sprouting to reconnect the populace with the Thames River. As part of the Nine Elms Riverside Strategy to revitalize the waterfront in South West London, local architecture practice Studio Weave was tapped to design a landscaped pavilion that draws inspiration from the bygone industrial era. Raised on timber-clad steel columns, the pavilion—called the ‘Nine Elms Thames Walk Pavilion’—combines copper-coated water tank panels with a lush and elevated garden that provides habitat for wildlife and shelter for passersby. Completed this month in collaboration with Churchman Landscape Architects , the Nine Elms Thames Walk Pavilion is part of a larger scheme to beautify the Thames Riverside Walk. The ground-level planters and the raised pavilion are both constructed with the same proprietary metal panels—typically used for water tanks—that have been sprayed with a copper finish in reference to the area’s industrial legacy. Over time, these panels will develop a natural green patina as they weather the elements. “Fabricated from copper coated water tank panels, the pavilion cradles a medley of rich foliage that acts as a honey pot for creatures great and small,” explains Studio Weave in a project statement. “Hawthorn trees, and a rainbow of grasses and perennials will create a home for wildlife as well as a splash of seasonal colour to the thoroughfare. Habitat is also created by the cladding to the water tower forming House Sparrow terraces. The area is known to host the House Sparrow, ‘Passer Domesticus,’ a species undergoing severe population decline.” Related: Magical new classroom reconnects children with nature in the UK To bring an extra splash of color to the structure, print artist Linda Florence was invited to design the colorful pattern on the screen-printed timber columns. The rope-work and abstract motifs also add interest to the installation. The Thames Walk Pavilion also provides furniture and equipment for use at Bourne Valley Wharf. + Studio Weave Images by Ollie Hammick

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Colorful raised gardens bring greenery and shelter to the Thames riverfront

The origami-like monocoque pavilion in London is shaped by its environment

July 25, 2018 by  
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A striking prefabricated  monocoque pavilion has popped up in London, bringing with it a social-enterprise cafe and multifunctional community space. Developed as part of the City of London Corporation’s transformation of the Aldgate gyrator into one of the largest public spaces in London’s Square Mile, the Portsoken Pavilion is a striking sculptural landmark that’s distinctive in its contemporary form yet sensitive to its heritage surroundings. Local architecture practice Make Architects designed the sculptural structure with a Corten canopy featuring large overhangs to provide solar shading and channel rainwater runoff. Spanning an area of nearly 3,500 square feet, the Portsoken Pavilion comprises a single light-filled level above ground as well as a basement area — reclaimed from former underground subway space — that houses plant, back-of-house facilities, kitchens and toilets. Local social enterprise Kahaila will run the pavilion’s cafe and multifunctional community space, which opens up to a new landscaped and pedestrian-friendly area. The origami-like roof is built from Corten cladding panels and folds down to touch the ground at three triangular support points; full-height glazing wraps around the exposed sides. Weathered steel was chosen as a nod to the brown brick of the Grade I-listed St. Botolph Without Aldgate church and the red brick Grade II-listed Sir John Cass’s Foundation Primary school that sit on either side of the new square. “The final scheme is beautiful — distinctive, yet respectful of the heritage architecture surrounding it,” said project architect Sarah Shuttleworth. “It provides a bespoke civic amenity and the ambition and determination of the City of London Corporation to persist and deliver the square and the pavilion  — despite the challenges — in order to transform this parcel of London for the benefit of the local community, should be applauded.” Related: Make Architects unveil igloo-shaped cinema made from reclaimed cardboard in London The three glazed elevations of the parametrically designed pavilion face the three key pedestrian approaches to the square. The structure was prefabricated and weathered off site before it was reassembled and welded in situ. The underside of the steelwork was sprayed with 150 millimeters of insulation to minimize heat loss, while the constant temperature of the concrete tunnels that run below the structure help regulate the temperature in the cafe year-round. + Make Architects Images via Make Architects

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The origami-like monocoque pavilion in London is shaped by its environment

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