Luzinterruptus turns plastic waste into Death by Plastic eco-art for COP25

January 21, 2020 by  
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Frustrated with the “ludicrous charade” of the COP25 World Climate Summit in December, Spanish design collective luzinterruptus turned to visual protest by creating the temporary guerrilla art piece, “Death by Plastic.” Made from plastic waste and transparent fabric, the glowing environmental art installation depicts a crime scene-like visual with a series of people-shaped sculptures lying on the ground. Held in Madrid, Spain in the beginning of December, the 2019 United Nations Climate Change Conference became the target of social unrest by protestors frustrated with the inactions of the negotiators on the climate crisis . Members of luzinterruptus also joined the protest and, disappointed by the adopted resolutions at the end of the event, wrote a statement to express their anger. Related: Archstorming announces winning proposals for a school made of recycled plastic in Mexico “The people from the Climate Summit are already leaving with bowed heads (by taxi or by plane) without having reached any significant agreements, as we all expected,” they said. “Everything was just a mirage. Few effective resolutions and big business opportunities for those who parade the flag of sustainability around. Let’s try again next year, perhaps with lengthier political speeches, but never listening to the scientific community or the citizens. And always under the sponsorship of the most polluting companies, which are always happy to take this opportunity to clean up their image. For now, the ‘climate crisis’ is officially postponed until the most environmentally unfriendly countries find a better time to deal with it. We are ashamed for having provided the scenario for such a ludicrous charade.” To further illustrate their frustrations, the artists installed Death by Plastic, an eco-art piece located near the COP25 gathering at the close of conference. Using plastic waste generated from the Christmas shopping along one of Madrid’s busiest retail areas, the artists created large-scale, people-shaped sculptures illuminated from within. The artists also drew a chalk outline around each of the plastic “bodies” to denote a crime scene. The guerrilla installation was displayed for a few hours, after which the artists removed the artworks. The art pieces have been stored away for future use. + luzinterruptus Photography by Melisa Hernández via luzinterruptus

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Luzinterruptus turns plastic waste into Death by Plastic eco-art for COP25

Windwords proposal turns wind turbines into public art

January 6, 2020 by  
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In a bid to clamp down on the NIMBY (“not in my backyard”) opposition to wind farms, international design collective Prototype 2030 has created a two-part proposal that would turn wind turbines into interactive public art. The first part of the design, dubbed Windwords, proposes reshaping wind turbines into giant letters to create landmarks representative of the community. To further empower communities with wind farms, the designers suggest allowing local residents to share in the profits and control the wind turbines through a smartphone app. Inspired by community-oriented design processes for public infrastructure, Prototype 2030 believes that the way to wider acceptance of wind farms and wind turbines begins with neighborhood-centered design. The Windwords proposal takes cues from the Hollywood sign and the IAMSTERDAM letters, which are not only iconic landmarks in their respective cities but also attract attention from tourists. Related: LEGO reintroduces Vestas wind turbine set, now made with plant-based plastic “Our point is not, of course, that every wind turbine has to be turned into a giant letter,” the collective explained. “Every site and community is different and will present different needs and opportunities. Big pink words will not be the solution every time. The real lesson is that wind farms need to be designed to mean something to humans — because they do, to neighbors and passersby. Right now, what they say is usually not what we want to hear. They need to be designed to speak human.” To further humanize the relationship between wind farms and communities, the designers have also proposed Windswitch, a smartphone app that would allow local residents to share in the profits from wind energy . The app would also give users the opportunity to “influence the turbines in their backyard” by trading previous earnings in as credits to temporarily pause a wind turbine. + Prototype 2030 Images by Prototype 2030

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Windwords proposal turns wind turbines into public art

Energy-efficient affordable housing project opens in South LA

January 6, 2020 by  
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As part of its ongoing effort to house Los Angeles’ homeless, local design practice Lorcan O’Herlihy Architects (LOHA) has transformed a vacant lot in South Los Angeles into an inspiring example of 100% affordable housing. Certified LEED Gold , the energy-efficient MLK1101 Supportive Housing project not only emphasizes natural lighting and ventilation to reduce reliance on mechanical systems, but also encourages community and public health with the addition of communal spaces and an outdoor garden with raised-bed edible gardens.  According to the architects, over 58,000 people are homeless in Los Angeles County. Working with Clifford Beers Housing, LOHA created MLK1101 Supportive Housing to provide permanent housing for a range of residents, from formerly homeless veterans to chronically homeless individuals and low-income households. The development includes 26 affordable housing units that range in size from one to three bedrooms, all of which include their own bathroom as well as kitchens and living spaces. To encourage neighborly relations, the architects included a community room with shared amenities, an elevated community garden set atop street-level parking, a street-facing stoop and a series of exterior walkways of varying widths that serve as informal gathering spaces. In addition to housing, amenities and 4,000 square feet of parking for cars and bicycles, MLK1101 Supportive Housing also includes two retail units at street level that will generate income to help subsidize housing while providing workforce training to residents. Related: LEED Platinum housing for the homeless takes over a formerly vacant L.A. lot “Further advancing previous experience working with Clifford Beers Housing and other supportive housing organizations like the Skid Row Housing Trust, LOHA’s design acknowledges the successful track record these housing complexes have had with integrating various populations, bringing supportive services in-house, and creating uplifting living environments for people to thrive,” note the architects in a project statement. Other sustainable features of the project include high-efficiency heating and cooling, energy-efficient appliances and fixtures, solar water heating and electric vehicle charging.  + Lorcan O’Herlihy Architects Images by Paul Vu Photography

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Recycled plastic art installation asserts that water is a human right in D.C.

July 26, 2019 by  
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In 2010, the United Nations General Assembly recognized access to clean water as a human right. To raise awareness about the “questionable privatizations” and climate change threatening this human right, Spanish design collective Luzinterruptus created ‘Let’s Go Fetch Water!’, a temporary art installation made from recycled plastic. Located on the grounds of the Spanish Embassy and the Mexican Cultural Institute in Washington, D.C., the art installation features an eye-catching waterfall effect created by a series of angled buckets cascading water sourced from a closed-loop system. When designing Let’s Go Fetch Water!, Luzinterruptus wanted to reference the daily toils that many people — mostly women — around the world must go through to fetch water for their family’s basic supply. As a result, buckets that are used to draw and transport water became the main motif for the piece. “These buckets transport this precious liquid from fountains and wells and are even hoisted down to the depths of the Earth in order to get it,” the designers explained. “They later carry them through long perilous trails during grueling journeys, where not even a drop must be spilled.” Related: A glowing river of books creates a traffic-free haven in Ann Arbor To minimize the loss of water, Luzinterruptus used a slow-flowing current and closed-loop system for the waterfall effect. The designers were also adamant about using buckets made from recycled materials rather than take the easy route of purchasing cheap buckets made in China. The buckets were mounted onto a wooden frame, and all of the materials will be recycled after the installation is dismantled in September. The installation is on display from May 16 to September 27 and will be lit up and functional at night as well. “We all know water is scarce,” Luzinterruptus said. “ Climate change is one of the main reasons; however, questionable privatizations are also to be blamed. Governments lacking financial resources give up this resource to private companies in exchange for supply infrastructures. Other governments just sell their aquifers and springs to large food and beverage corporations, which exploit these and everything around dry, leaving local inhabitants in deep crisis. We have enjoyed this particular commission since we have, for a long time, been dealing with issues concerning the recycling of plastic material, and we have experienced firsthand how these companies that sell someone else’s water, and seem to be especially focused on launching awareness campaigns for a responsible use of plastic, only try to deviate attention from this uncomfortable privatization issue.” + Luzinterruptus Photography by David Keith via Luzinterruptus

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Recycled plastic art installation asserts that water is a human right in D.C.

Twisting tree-like sculptures redefine a public space in Montreal

August 6, 2018 by  
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Giant twisting tree-like sculptures have sprouted in downtown Montreal—and passersby are welcome to climb to the top of its gnarled canopy. The striking art installation is the latest work of local artist Michel de Broin , who was invited by the City of Montreal to help activate the recently developed International Civil Aviation Organization Plaza (ICAO). Dubbed Dendrites after the branched projections of a neuron, the large-scale artworks are clad in weathering steel and are equipped with metal stairs with platforms for an interactive element. Spanning both sides of Notre-Dame Street in downtown Montreal , Dendrites comprises two sculptural stairways that mimic the form of trees and neuron structures. The reddish hue of its weathering steel cladding is a reference to ochre tree trunks as well as the urban site’s industrial past and iron infrastructure. “Dendrites encourages climbing through a network of alternate possible routes,” explains the project press release. “When a passer-by ascends the stairs they consistently face a bifurcation, and a decision must ensue. An apt metaphor is found in the way thoughts are formed in the human brain through the transmission of electrical impulses within a larger network of neuronal dendrites; much like the climber in the sculpture discovering the structures of his surrounding environment. From one end of the work to the other — like a neural impulse traveling across the brain — the walker climbs the stairs and ventures into the sculpture, emerging on the other side with a new perspective.” Related: Whimsically windswept cabin-like kiosks are designed to soothe urban stress The emphasis of walking ties into the redevelopment of site, which was formerly a car-centric area that was displaced as a new pedestrian-friendly and cyclist-friendly space. Dendrites’ twisting branches culminate in a series of independent viewing platforms of varying heights, allowing multiple visitors to climb and enjoy the sculpture simultaneously. + Michel de Broin Images by Michel de Broin and Jules Beauchamp Desbiens

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Twisting tree-like sculptures redefine a public space in Montreal

This 3D-printed device could help its users breathe underwater

August 6, 2018 by  
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Japanese designer and material scientist  Jun Kamei has invented an underwater breathing device constructed with 3D printing . Kamei foresees complications arising from higher sea levels, which he believes will affect up to three billion people globally. Thus, he has designed Amphibio , a 3D-printed garment that he hopes will help those people affected by rising seas to work with nature in submerged portions of the Earth. “By 2100, a temperature rise of 3.2 degrees Celsius is predicted to happen, causing a sea-level rise affecting between 500 million and three billion people, and submerging the mega-cities situated in the coastal areas,” Kamei explained. He believes Amphibio will become essential to our next generations, who will be forced to spend much more time in water as a result of a “flooded world.” Amphibio replicates the method that aquatic insects use to trap air, forming a gas-exchanging gill. The breathing apparatus’s microporous, hydrophobic material thus enables oxygen extraction from surrounding water while also removing carbon dioxide . Kamei, a graduate of the Royal College of Art , returned to his alma mater with a team from the RCA-IIS Tokyo Design Lab to construct the two-part accessory, which features a respiratory mask attached to the gill assembly. Related: MIT’s mind-reading AlterEgo headset can hear what you’re thinking The working prototype of Amphibio does not yet produce enough oxygen to sustain a human being. However, Kamei is optimistic. He developed the 3D-printable material filament himself, and, in the future, he hopes people can buy it themselves. As 3D printing becomes more common and readily available in society, he envisions a future in which people can print garments tailored to their own body shape – and in which Amphibio is one of their options. + Amphibio Via Design Milk and Dezeen Photography by Mikito Tateisi

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This 3D-printed device could help its users breathe underwater

A massive five-ton plastic waste whale breaches in a Bruges canal

June 28, 2018 by  
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Five tons of plastic waste has been pulled from the oceans and transformed into the Bruges Whale, a gigantic sculpture that highlights the staggering amount of trash floating in our oceans. Designed by Jason Klimoski and Lesley Chang of the Brooklyn-based multidisciplinary practice StudioKCA , this massive environmental artwork was created for the 2018 Bruges Triennial with the theme of “Liquid City.” The Bruges Whale, also called the Skyscraper, was positioned to appear in mid-breach in a canal opposite the city’s iconic Jan Van Eyck statue. Installed in the UNESCO World Heritage City Center of Bruges, the Bruges Whale was created to draw attention to the unrelenting flow of plastic waste into our oceans — with an estimated eight million tons added every year. Teaming up with Hawaii Wildlife Fund and Surfrider Foundation, StudioKCA collected more than 5 tons of plastic waste from the ocean in four months. After cleaning and sorting the trash, the team also launched a successful Kickstarter campaign to bring the project to life and to fund fabrication of the steel and aluminum structural system created in collaboration with Thornton Tomasetti. “Skyscraper is a physical example of why we need to change how we use and dispose of plastic in the world today,” said Lesley Chang, Principal of StudioKCA. Principal Jason Klimoski continues, “[The sculpture] is 5 tons of plastic waste that we’ve pulled out of the ocean to create a four-story tall whale to help raise awareness about the other 150 million tons of plastic waste still swimming in our oceans. The more people know about a problem, the better, as it takes all of us working together to change the way things are done. This is a real opportunity to help bring awareness to a large audience about this global issue.” Related: The Great Pacific Garbage Patch is growing at an exponential rate Located in the historic Jan Van Eyck Square, the Bruges Whale is one of 14 other installations selected for the 2018 Bruges Triennial , a free event that’s expected to welcome more than two million people. The art and architecture event is held from May 5 to September 16, 2018. + StudioKCA Images via StudioKCA

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A massive five-ton plastic waste whale breaches in a Bruges canal

Shimmering Solar Arch to generate power for a post-industrial Connecticut town

April 25, 2018 by  
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A giant gleaming arch clad in solar panels is set to transform the waterfront of downtown Willimantic. This spectacular energy-generating artwork, called Rio Iluminado, was revealed today as the winner of Land Art Generator Institute’s most recent design competition. Designed by Pirie Associates Architects in collaboration with architect Lindsay Suter and sculptor Gar Waterman , the public artwork is capable of generating 25.5 MWh of clean energy a year for a 3.4-acre remediated brownfield. Developed as part of an initiative to reclaim and beautify the Willimantic waterfront , Rio Iluminado aims to reconnect the community with the river and generate renewable energy in a beautiful way. Located on the riverbank, the site-specific Solar Arch will be covered in a 900-square-foot solar array while the underside is finished with polished stainless steel panels. The artwork’s curvature was designed to follow the path of the sun and to reflect its surroundings. In addition to the Solar Arch, the Rio Iluminado will include a River Well in the Tree Copse that demonstrates the daily sun cycle with a solar-powered pump that only draws underground water during the day; an interactive Spiral Channel that moves the water from the River Well to the River Platform; and the 3,400-square-foot River Platform, decorated with murals and other art, that gradually fills with water while overflow is channeled into a two-stage bio-swale system. In the winter months, the River Platform will be transformed into an ice-skating surface. Related: Land Art Generator Initiative Santa Monica winners address California’s energy needs and drought Rio Iluminado was developed in close collaboration with the community, whose comments helped inform the final design. “Rio Iluminado cleverly addresses how to bring the river closer to the community—and vice-versa,” says WWP President James Turner. “We are thrilled to have a project design that will result in such an intricately conceived and strikingly executed work of art for the community to enjoy and be inspired by for years to come.” The project will now enter the next phase, where the winning team will focus on design development, cost estimates, and prototyping, followed by the final design fabrication and installation. + Land Art Generator Institute Images via Land Art Generator Institute

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Shimmering Solar Arch to generate power for a post-industrial Connecticut town

Giant glowing bottle walls light up Singapore for plastic binge awareness

April 24, 2018 by  
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Design collective Luzinterruptus worked their artistic plastic magic last month with an illuminated plastic bottle installation at Singapore’s I Light Marina Bay , dubbed “Asia’s leading sustainable light art festival.” The massive glowing artwork, called Transitable Plastic, comprised seven movable walls hung beneath the Esplanade Bridge, one of the busiest transit areas in the bay. Designed to raise awareness about the “plastic binge,” the interactive artwork required visitors to physically move the plastic walls out of the way in order to get to the other side. Installed for approximately four weeks, Transitable Plastic was created with over 20,000 recycled plastic units collected from the community and local businesses including hotels, restaurants and shopping malls over the span of a month. Luzinterruptus vacuum packed the plastic bottles to create larger panels that were then strung together to form seven large walls. These makeshift walls were hung from metal scaffolding. The installation took 10 days to complete. Related: Historic French building stuffed with plastic bags looks ready to explode “We [lit] the piece with a cold, neutral light which enhanced the glint of the plastic material and brought out the color of the labels allowing to easily guess which are the city’s most popular beverage brands,” wrote the designers. “As visitors entered the piece, landmarks disappeared so they had to get the plastic out of the way in order to avoid getting stuck in the corridors and to get to the other side, a healthier, more open place where they could breathe fresh air. A more-than-a-minute-long walk among plastics which could bring about a bit of asphyxia and inevitably the thought of plastic and its related problems.” Transitable Plastic was fully disassembled at the end of the event and the materials were sorted and recycled. + Luzinterruptus Images by Colossal Pro

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Giant glowing bottle walls light up Singapore for plastic binge awareness

Thousands of plastic bottles transformed into an inspiring tower of hope in South Africa

July 25, 2017 by  
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A million plastic bottles are purchased worldwide every minute, with annual consumption set to top half a trillion by 2021 . In a bid to bring awareness to the problem of plastic bottle use and pollution, artist r1 led a project to transform over 7,000 plastic bottles into an incredible sight to behold: a 20-meter-tall permanent art sculpture. Created in collaboration with the local community, the environmental art piece, called the iThemba Tower, symbolizes hope and inspiration in Troyeville, Johannesburg. Artist r1 used a redundant communications tower as the base of the iThemba Tower, which derives its name from the isiZulu word that means trust or hope. The diverse local community was involved in all aspects of the design process, from plastic bottle collection to construction. Locals were also invited to fill each bottle with a “message of hope,” thus creating a symbolic communications tower that “broadcasts” the community’s diverse hopes and dreams. Related: 1,000 recycled CDs transform an abandoned farmhouse into a shimmering work of art “It is estimated that in South Africa alone, nearly over 250,000 plastic bottles are dumped into our environment every hour,” says the narrator in a video about the iThemba Tower. “One plastic bottle will take up to 700 years to completely break down in a landfill. The iThemba Tower project raised awareness the importance of recycling through workshops and various community activities.” LEDs were also inserted inside the bottles to turn them into “lights of hope.” The lights bring the tower alive at night and create a magical twinkling effect. The iThemba Tower is a permanent art piece at the Spaza Art Garden, a safe haven for creatives in Johannesburg. + r1

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Thousands of plastic bottles transformed into an inspiring tower of hope in South Africa

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