Thousands of plastic bottles transformed into an inspiring tower of hope in South Africa

July 25, 2017 by  
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A million plastic bottles are purchased worldwide every minute, with annual consumption set to top half a trillion by 2021 . In a bid to bring awareness to the problem of plastic bottle use and pollution, artist r1 led a project to transform over 7,000 plastic bottles into an incredible sight to behold: a 20-meter-tall permanent art sculpture. Created in collaboration with the local community, the environmental art piece, called the iThemba Tower, symbolizes hope and inspiration in Troyeville, Johannesburg. Artist r1 used a redundant communications tower as the base of the iThemba Tower, which derives its name from the isiZulu word that means trust or hope. The diverse local community was involved in all aspects of the design process, from plastic bottle collection to construction. Locals were also invited to fill each bottle with a “message of hope,” thus creating a symbolic communications tower that “broadcasts” the community’s diverse hopes and dreams. Related: 1,000 recycled CDs transform an abandoned farmhouse into a shimmering work of art “It is estimated that in South Africa alone, nearly over 250,000 plastic bottles are dumped into our environment every hour,” says the narrator in a video about the iThemba Tower. “One plastic bottle will take up to 700 years to completely break down in a landfill. The iThemba Tower project raised awareness the importance of recycling through workshops and various community activities.” LEDs were also inserted inside the bottles to turn them into “lights of hope.” The lights bring the tower alive at night and create a magical twinkling effect. The iThemba Tower is a permanent art piece at the Spaza Art Garden, a safe haven for creatives in Johannesburg. + r1

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Thousands of plastic bottles transformed into an inspiring tower of hope in South Africa

Giant animal faces take over Mexico Citys forest for environmental awareness

May 26, 2017 by  
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Thousands of visitors to a Mexico City park were treated to an eerie sight in the treetops last weekend. Giant ghostly animals heads peered down from the canopy, fixing their intense gaze on the public in an environmental video installation for Marvin Festival 2017 . Designed by studio Maizz Visual , the ephemeral intervention, called Animal Watching, was created to raise awareness about the destruction of ecosystems and animal species. According to the WWF , almost half of the world’s wild animals have disappeared due to habitat destruction since 1975. In a bid to raise awareness about animal habitat loss , Maizz Visual transformed the forest into a canvas for art. The team, which has created similar interventions in the past, used a video projector of 15,000 lumens and tele zoom optics to project 3D animations of animals onto the canopy. The animals’ giant 3D images appear startlingly lifelike with their animated movements and the depth experience of 3D created through the mix of light and tree leaves. A total of eight different animal faces appeared and disappeared in a continuous seven-minute loop put on between the evening hours of 8:30 and 11. Related: Pre-Hispanic Corn Gods Protest Genetically Modified Maize in Mexico City “The animals had intense eyes that watched and followed the public passing by,” wrote the designers. “Animal Watching positively surprised thousands of viewers while, at least, for a brief moment, made the public thinking about animals with respect and admiration.” + Maizz Visual Images by Revista Marvin

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Cloud House makes it rain on demand with creative water harvesting system

March 23, 2017 by  
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You won’t have to do a rain dance to make it rain at the Cloud House—sitting in one of its rocking chairs should do the trick. Artist Matthew Mazzotta created the Cloud House, a gabled pavilion with a cloud-like sculpture that releases collected rainwater whenever someone sits inside the building. Crafted from reclaimed materials , the art installation was commissioned in Springfield, Missouri to bring attention to our dependence on natural systems, like the water cycle, that grow the food we eat. “Located at Springfield , MO’s largest farmers’ market, CLOUD HOUSE is a poetic counterpoint to the busy market, inviting visitors to a meditative space in which they can slow down, enjoy the fresh edible plants, and listen to rain on a tin roof,” writes Mazzotta. Topped with a cloud-shaped resin sculpture attached by a pipe, the gabled structure is built of barn wood and tin reclaimed from an abandoned Amish farm. Edible plants grow on the windowsills and the building’s two ends are left completely open to reveal a sparse interior decorated with two rocking chairs and a small table. https://vimeo.com/189592923 Related: Open House Renovates an Abandoned Building into a Transforming Open Air Theater Rainwater is collected with a gutter system that funnels the water into an underground storage tank. When someone sits on the rocking chair, a pump is triggered to bring the harvested rainwater up to the artificial cloud where it’s released as droplets onto the roof. The rainwater simulation waters the windowsill plants and creates a “warm pleasant sound of rain on a tin roof.” During periods of drought, however, the cloud will not rain to illustrate man’s dependence on the natural world. + Matthew Mazzotta Via Dezeen Images by Tim Hawley

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Cloud House makes it rain on demand with creative water harvesting system

Mesmerizing photos show faces of indigenous Brazilians projected onto the Amazon rainforest

November 8, 2016 by  
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In spring 2016, Surui Chief Almir Surui Narayamoga invited Echaroux to his village, where the street artist photographed the natives for “The Crying Forest” project. The faces are enlarged and carefully projected over the trees to create a seamless and striking composition. The installation was created to help the Surui people raise awareness of the dangers of massive deforestation and the impact it has on the ecosystem and their lives. Related: Gigantic Leafy Faces Light Up a Forest in Wisconsin Chief Narayamoga was appointed by the Brazilian government to help replant and protect his tribe’s section of the rainforest. Over 300 truckloads worth of illegally logged trees are estimated to leave the Surui area everyday. “Victims of massive deforestation and gold washers who did not hesitate to violate the Surui’s territory to seize deposits of precious stones, the Surui people want to raise awareness of this horrible and greedy slaughter that endangers a territory and its people,” Echaroux says. “The Crying Forest” photographs will be on display at the Taglialatella gallery in Paris from November 10th through December 15th, 2016. + Philippe Echaroux Via Colossal

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Martin Roth makes indoor lawns by growing real grass on aging Persian rugs

October 21, 2016 by  
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Now based in New York, Roth tends to his installations like a careful gardener, watering the grass seeds regularly until tiny grass roots take hold of the tough fibers of the rugs, which are often arranged in a patchwork covering an entire room. Over the course of the exhibit, the grass grows taller and the patches spread wider, covering more of the rugs as time wears on. Eventually, at the end of the exhibit run, the grass dies, practically consuming the rug’s fibers in the process. This is precisely what will happen at the Riptide show in London. Related: Living grass walls completely cover the interior of London’s Dilston Grove gallery Roth also works with other forms of plant life and animals in unusual ways. Many of his installations involve releasing animals into environments where you might not expect them (such as the 50 crickets he let loose in an industrial building) or back into the wild, as he did with six ducklings he rescued and cared for in his studio in 2010. In 2012, he turned an art gallery in Austria into a shallow aquarium by flooding the space and introducing several fish. There, at least, stepping stones were installed so visitors could still keep their feet dry, if they walked carefully enough. + Martin Roth Via Colossal Images via Martin Roth and Korean Cultural Center UK

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Martin Roth makes indoor lawns by growing real grass on aging Persian rugs

Creepy fleshy art by Cao Hui makes it painfully clear what everyday are objects are made of

October 15, 2016 by  
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It’s the season of all things spooky, and real life consistently takes the creepy cake. Maybe this thought occurred to artist Cao Hui when he created a series of fleshy sculptures that look so real, they made my stomach turn. Comprised of resin and fiber, and true to life in size, each piece depicts the viscera, skin and flesh belonging to animals whose lives are regularly sacrificed to produce objects of convenience for human beings. Cao Hui, represented by Lin & Lin Gallery in Taiwan , created a series of hyper realistic sculptures, including a couch and chair, gloves, and a suitcase, all presumably made of leather. But instead of showing the pretty polished pieces of furniture we normally see in shop windows, he exposes the parts of animals sacrificed in order to keep their skin. In so doing, it forces the viewer to think more carefully about the materials used to create every day objects. Related: Animal activists who freed thousands of fur industry animals charged as terrorists Granted, the pieces were crafted in 2008, and we’ve come a long way when it comes to protecting the rights of animals. Plus, many responsible butchers do use every part of an animal so nothing goes to waste. But factory farming is still very much a blight on the developed world’s collective conscience, and Cao Hui keeps it there with these disturbing, but provocative pieces. Via youbentmywookie Images via Lin & Lin Gallery

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Creepy fleshy art by Cao Hui makes it painfully clear what everyday are objects are made of

Artist turns urban trash into amazing animal murals

September 27, 2016 by  
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We’ve featured Bordalo II’s works around the streets of Lisbon previously , and the prolific artist has continued to spread his environmental message around the world from the Unexpected art project in Ft. Smith, Arkansas to the Street Art Jam 2016 in Estonia. His lifelike animal sculptures are made almost entirely from trash and other locally found waste materials that he upcycles into new forms. The mixed-media base is then spray painted to bring life to his works of art. Related: Artist “attacks” buildings with clutter to remind us of how much stuff we own His animal artworks are part of a series that he calls “Big Trash Animal” designed to bring attention to how a wasteful society harms animals . His newest additions to the series highlight animals both small and large, from tiny rodents to foxes. These artworks, which he hopes renders environmental destruction more visible, span more than just the sides of walls—the artist has taken his craft to freestanding works, fences, and even to the side of a drifting, decrepit ship. + Bordalo II Via Colossal Images via Bordalo II

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Christos spectacular art installation lets visitors walk on water

June 20, 2016 by  
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Like his last large-scale project The Gates , which comprised thousands of fabric gates that Christo—his full name is Christo Vladimirov Javacheff—and his late wife, Jeanne-Claude, installed across Central Park in 2005, The Floating Piers features the same vibrant saffron color and is funded entirely by the artist’s sales of original drawings, collages, and other artworks. The $16.8 million project was a massive feat to complete with involvement from French deep-sea divers and Bulgarian athletes to engineers and local officials. The floating walkway comprises a waterproof and stain-resistant saffron-colored fabric draped over 220,000 floating polyethylene cubes installed to form a 53-foot-wide spine. Related: Incredible 3km floating walkway covered in yellow fabric will cross Italy’s Lake Iseo “It’s really a physical thing, you need to be there, walking it, on the streets, here,” Christo said. “And it’s demanding.” The experience of walking on The Floating Piers reportedly feels like walking on a gently swaying boat. The art installation is free to the public and is expected to attract approximately 40,000 people a day. Lifeguards, boat hands, and other officers are present in case of accidents or emergencies; the Floating Piers has no railing and floats less than six inches above the water’s surface. The art installation will stay on the lake for 16 days until July 3, after which it will be dismantled, recycled , and resold. + The Floating Piers Via The New York Times Images via Christo , by Wolfgang Volz

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Christos spectacular art installation lets visitors walk on water

Nation’s first large-scale light festival casts a magical glow across Baltimore

April 1, 2016 by  
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Donald Trump leaks plans to relocate the White House to the top of Trump Tower

April 1, 2016 by  
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Election Day is still seven months away, but Donald Trump is already planning his takeover of the White House. On Friday, the Republican candidate was heard saying to a reporter “I’m going to win. But here’s the thing: the White House is just as old and outdated as the losers who’ve been living in it recently. I’m not gonna live with those liars and losers in Washington D.C., so I’m going to air-lift the White House to the top of Trump Tower where it deserves to be.” Read the rest of Donald Trump leaks plans to relocate the White House to the top of Trump Tower

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