Vincent Callebaut proposes a green, food-producing footbridge for Paris

January 5, 2021 by  
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Vincent Callebaut Architectures has unveiled fantastical designs for the Green Line, a futuristic “inhabited footbridge” in Paris that would run on renewable energy, recycle its own waste and fight urban air pollution all while producing 87,500 kilograms of fresh fruits and vegetables every year. The ambitious proposal was created as an entry in the Reinventing Cities – C40 international design competition hosted by Ceetrus. The Green Line design spans the River Seine between the 12th and 13th arrondissements in Paris and aims to better connect the Bercy Village to the Masséna district. Conceived as an antidote to urban pollution, the carbon-neutral Green Line seeks to reinvigorate the city with its nature-inspired design. In addition to a lush planting plan that includes urban agriculture and carbon-sequestering woody plants, the garden footbridge also features an eye-catching, double-arched structure that takes inspiration from a fish skeleton. The biomimetic bridge is engineered for phased construction so as to minimize disturbance to local residents. Related: Vincent Callebaut unveils bioclimatic LEED-Gold timber tower The Green Line features a variety of garden types; however, its primary focus is on an edible landscape with participatory greenhouses on its panoramic rooftop. The scheme proposes a total of 3,500 square meters of vegetable gardens and orchards — with edible, native species — to help raise awareness of eco-gastronomy and the Slow Food movement. The fruits and vegetables grown on the footbridge would be harvested for use in restaurants and classrooms on the bridge.  Following principles of self-sufficiency, the footbridge proposal features 3,000 square meters of hybrid rooftop solar panels to power the facilities and restaurants on the bridge; 56 axial magnetically levitated wind turbines that power the bridge’s lighting fixtures; and a biogas plant integrated in the cells of the bridge that converts the non-edible parts of plants and organic waste into heat and electrical energy.  + Vincent Callebaut Architectures Images via Vincent Callebaut Architectures

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Vincent Callebaut proposes a green, food-producing footbridge for Paris

Freedom Cove: an off-grid floating homestead at one with nature

January 5, 2021 by  
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Off the coast of Tofino, British Columbia, floats a forested, eco-fairyland of greenhouses, ramps, towers and small buildings, most of them painted fuchsia and teal. It’s the innovative and whimsical off-grid project of two artists, Catherine King and Wayne Adams. King and Adams began constructing Freedom Cove in 1992. They did most of the work themselves, building four greenhouses, an art gallery, dance floor (adorned with an enormous painted lotus flower) and lighthouse, all on 12 connecting platforms. At different times in Freedom Cove’s evolution, they’ve harnessed solar power with photovoltaic panels or used a generator. Water comes from rain and a nearby waterfall. Related: Christophe Caranchini proposes resilient floating houses for Kiribati King is a dancer, painter, wood carver and writer; Adams is a sculptor who carves wood and fossilized ivory and mammoth tusks. They support themselves by selling their artwork and greenhouse-grown fruits and vegetables . Fishing also provides much of their diet. This paradise off Vancouver Island may look idyllic to people fantasizing about off-grid living. But Freedom Cove took a huge amount of imagination and experience to build, and it requires a lot of work to keep running. Especially when you think about raising two children here, which King and Adams did. You have to be tough and self-sufficient to live where the nearest town is 45 minutes by boat. Fortunately, they installed internet on Freedom Cove, so King was able to take time away from her vegetables, artistry and myriad other tasks necessary to run a floating homestead to answer a few questions in an interview with Inhabitat. Inhabitat: Okay, basic physics question — how does it float? King:  Our system floats on armored. That is, covered with PVC plastic blocks. That is what makes everything float. Inhabitat: What are your favorite things about living at Freedom Cove? King:  Living in Freedom Cove is special as I am in nature . There is nature all around me. There is peace, quiet. I get to live my life according to the rhythms of nature. I am inspired by nature to be creative. This keeps me whole and healthy mentally, emotionally and spiritually. These are my favorite reasons for loving life here. We have learned to do things by figuring them out ourselves by living off-grid. We have been allowed to think for ourselves about everything. We have been given the opportunity to really be in touch with our inner selves … really live life from this place, create our outer life from our true authentic inner natures. Inhabitat: How do you interact with people on the mainland? King:  We are people people and interact with everyone well. People have come to visit us from all over the planet and we enjoy all those interactions. We have internet since 2013 and that has added to our communication with family and friends. Prior to that, I wrote letters to everyone. Inhabitat: Could you tell us a little about how you developed relationships with your animal neighbors? What have you learned from them? King:  We have a good relationship with all the animals around us. The bears walk all around us on low tide, and we have never had an issue with them as we don’t leave anything out that would smell and attract them over to us. Otters, mink, martins, seals go about their lives around us and we enjoy their presence … the otters and seals have even stuck their heads up in our plexiglass square in the floor we have in our living room while they are chasing fish. The fish see us as a protective floating island they can hide under and reproduce under. The water birds swim all around us, and the crows, gulls and buffleheads come to our back window for bread. They enjoy us being here as much as we enjoy them. We enhance nature by our presence. It is a symbiotic relationship. Inhabitat: Tell us about the Freedom Cove Tofino boat tour. King:  While COVID-19 is happening, tours are shut down. Hopefully the spring will open things up again. Browning Passage (250-726-8605), Tofino Water Taxi (250-725-8844) and our son Shane Adams (email us to reach him, freedomcove4@gmail.com) will all bring people out to us. The tour of our place is given by us and is an hour. We ask $10 per person for a donation. We are open for tours (outside of COVID-19) from June to October, 10 a.m. to 4 p.m. Shane asks $150 return trip for the half hour each way boat ride for one person and $25 more for two people and 50 more for three people. People should phone the other companies listed for their costs. They can take more than three people. Inhabitat: Do you rent out space so visitors can spend the night at Freedom Cove? King:  We do not rent space for accommodations. + Freedom Cove Photography by Aaron Mason

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Freedom Cove: an off-grid floating homestead at one with nature

A closed loop fashion system requires scaling solutions now, not later

October 2, 2020 by  
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A closed loop fashion system requires scaling solutions now, not later Deonna Anderson Fri, 10/02/2020 – 01:00 The fashion industry is damaging to the planet — it’s responsible for 10 percent of the world’s carbon emissions. But there are companies — both large and small — trying to solve this problem. Back in 2017, the Ellen MacArthur Foundation tapped on large brands such as Burberry, Gap and H&M to make fashion circular  — ensuring that clothes are made from safe and renewable materials, establishing new business models to increase their use and developing systems that would enable more old clothes to be turned into new garments. Outside of this particular coalition of companies, other fashion businesses are attempting to make the industry more circular by using customizable digital technology, eliminating excess production and tracking the life cycle of products. One of those companies is San Francisco-based clothing startup unspun , which produces sustainable jeans via a unique digital process: customers design their ideal pair of jeans, use their smartphones to takes a 3D scan of their bodies, then receive the custom-built denim in the mail.  “We think it’s really important to think of this from a closed loop and regenerative system, because humans are so used to going for the ‘next thing,'” said Beth Esponnette, co-founder of unspun, during part one of a discussion about scaling circular fashion during Circularity 20 in late August. It’s really hard to change our behavior, and even if we were able to do that, it’s not going to fix the problems in the system. “It’s really hard to change our behavior, and even if we were able to do that, it’s not going to fix the problems in the system,” Esponnette continued. She noted that unspun is not trying to villify consumption, but rather to set up a more responsible industry. The company is designing for disassembly and thinking about how to go from yarn to product and back to yarn again. “It’s not quite ready yet but it’s soon to be on to its first prototypes, so we really see the industry being no-waste and actually infinitely customizable, definitely by 2050, hopefully even by 2030,” she said. While the company is not completely zero-waste at this time, it has a commitment to eventually get there. In the meantime, it works with Blue Jeans Go Green to turn its cutting waste from from the jean making process into denim insulation for homes.  At this point, a pair of custom-fitted unspun jeans costs $200 — a price that not every person who wants to make more sustainable fashion choices can afford. That’s one reason why addressing the environmental impacts of the fashion industry will require multiple solutions to be at play at the same time.  Addressing the environmental impacts of the fashion industry will require multiple solutions to be at play at the same time. Making changes along the apparel supply chain At a different part of the supply chain, labeling and embellishment manufacturer Avery Dennison has a vision of the future: where every physical label on a garment will have a digital twin or ID that would tell the sustainability or end of life story of the piece of clothing. It also could help a consumer know what to do with the garment at its end of life, whether it can be resold, repaired or recycled. “That’s what really drives us, to be able to help enable that whole circularity of the industry,” said Debbie Shakespeare, senior director of compliance and sustainability at Avery Dennison. Right now, the fashion industry operates primarily in production and consumption, but avoids the decomposition part of the loop because of the perception that it will be wasteful, said Beth Rattner, executive director at the Biomimicry Institute, which provides sustainability advising to companies, including some in the world of fashion.  Of the total fiber input used for clothing, 87 percent is either landfilled or incinerated. But working in only the front part of the loop is only ignoring a waste problem that already exists, and is even getting worse. Of the total fiber input used for clothing, 87 percent is either landfilled or incinerated, according to the Ellen MacArthur Foundation , a think tank advancing the circular economy. Plus, there’s the waste that’s harder to see than the piles of fabric in a landfill. “We still have polyester that’s ending up in microfibers, which are ending up in the ocean, in our seafood dinner,” Rattner said. “We’re eating about a credit card worth of plastic every year.” The fashion industry must contend with its long history of operating unsustainably A recent report from the Biomimicry Institute called The Nature of Fashion  points out how the fashion industry has unsustainably operated as a collective for decades. “It’s safe to say that no one ever looked at a barrel of oil and thought, ‘That would make a nice-looking dress,'” the report’s forward reads. “And yet, for nearly 80 years, we have collectively looked past the ill-effects of petroleum and focused solely on the versatile, low price-point clothing that polyester makes possible.” It’s safe to say that no one ever looked at a barrel of oil and thought, “That would make a nice-looking dress.” The report argues that new fibers — no matter how recyclable they may be — should not be developed if there is no natural decomposition for them, because man-made material loops always leak into the environment . “The fashion industry now more than ever needs to look at materials in the larger context of natural systems,” Anita Chester, head of materials at Laudes Foundation, a partner for the report, said in a press release at the time of the report’s release. During the Circularity 20 session, Rattner gave attendees a vision and a call to action by telling them to imagine having a pantry of Twinkies in a pantry after deciding to be a healthy eater — likening them to the mounds of polyester sitting in our waste management system. Should you eat all those Twinkies first, and then go buy your kale? Should we keep using the same materials that we’ve been using? “We know that the Twinkies are bad for us,” she said “We don’t have to keep eating them, we can do something else with them. So my call to action is: we don’t have to eat the Twinkies.” Pull Quote Addressing the environmental impacts of the fashion industry will require multiple solutions to be at play at the same time. Of the total fiber input used for clothing, 87 percent is either landfilled or incinerated. It’s really hard to change our behavior, and even if we were able to do that, it’s not going to fix the problems in the system. It’s safe to say that no one ever looked at a barrel of oil and thought, “That would make a nice-looking dress.” Topics Circular Economy Fashion Circularity 20 Textile Waste Apparel Featured in featured block (1 article with image touted on the front page or elsewhere) On Duration 0 Sponsored Article Off Shutterstock New Africa Close Authorship

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A closed loop fashion system requires scaling solutions now, not later

A closed loop fashion system requires scaling solutions now, not later

October 2, 2020 by  
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A closed loop fashion system requires scaling solutions now, not later Deonna Anderson Fri, 10/02/2020 – 01:00 The fashion industry is damaging to the planet — it’s responsible for 10 percent of the world’s carbon emissions. But there are companies — both large and small — trying to solve this problem. Back in 2017, the Ellen MacArthur Foundation tapped on large brands such as Burberry, Gap and H&M to make fashion circular  — ensuring that clothes are made from safe and renewable materials, establishing new business models to increase their use and developing systems that would enable more old clothes to be turned into new garments. Outside of this particular coalition of companies, other fashion businesses are attempting to make the industry more circular by using customizable digital technology, eliminating excess production and tracking the life cycle of products. One of those companies is San Francisco-based clothing startup unspun , which produces sustainable jeans via a unique digital process: customers design their ideal pair of jeans, use their smartphones to takes a 3D scan of their bodies, then receive the custom-built denim in the mail.  “We think it’s really important to think of this from a closed loop and regenerative system, because humans are so used to going for the ‘next thing,'” said Beth Esponnette, co-founder of unspun, during part one of a discussion about scaling circular fashion during Circularity 20 in late August. It’s really hard to change our behavior, and even if we were able to do that, it’s not going to fix the problems in the system. “It’s really hard to change our behavior, and even if we were able to do that, it’s not going to fix the problems in the system,” Esponnette continued. She noted that unspun is not trying to villify consumption, but rather to set up a more responsible industry. The company is designing for disassembly and thinking about how to go from yarn to product and back to yarn again. “It’s not quite ready yet but it’s soon to be on to its first prototypes, so we really see the industry being no-waste and actually infinitely customizable, definitely by 2050, hopefully even by 2030,” she said. While the company is not completely zero-waste at this time, it has a commitment to eventually get there. In the meantime, it works with Blue Jeans Go Green to turn its cutting waste from from the jean making process into denim insulation for homes.  At this point, a pair of custom-fitted unspun jeans costs $200 — a price that not every person who wants to make more sustainable fashion choices can afford. That’s one reason why addressing the environmental impacts of the fashion industry will require multiple solutions to be at play at the same time.  Addressing the environmental impacts of the fashion industry will require multiple solutions to be at play at the same time. Making changes along the apparel supply chain At a different part of the supply chain, labeling and embellishment manufacturer Avery Dennison has a vision of the future: where every physical label on a garment will have a digital twin or ID that would tell the sustainability or end of life story of the piece of clothing. It also could help a consumer know what to do with the garment at its end of life, whether it can be resold, repaired or recycled. “That’s what really drives us, to be able to help enable that whole circularity of the industry,” said Debbie Shakespeare, senior director of compliance and sustainability at Avery Dennison. Right now, the fashion industry operates primarily in production and consumption, but avoids the decomposition part of the loop because of the perception that it will be wasteful, said Beth Rattner, executive director at the Biomimicry Institute, which provides sustainability advising to companies, including some in the world of fashion.  Of the total fiber input used for clothing, 87 percent is either landfilled or incinerated. But working in only the front part of the loop is only ignoring a waste problem that already exists, and is even getting worse. Of the total fiber input used for clothing, 87 percent is either landfilled or incinerated, according to the Ellen MacArthur Foundation , a think tank advancing the circular economy. Plus, there’s the waste that’s harder to see than the piles of fabric in a landfill. “We still have polyester that’s ending up in microfibers, which are ending up in the ocean, in our seafood dinner,” Rattner said. “We’re eating about a credit card worth of plastic every year.” The fashion industry must contend with its long history of operating unsustainably A recent report from the Biomimicry Institute called The Nature of Fashion  points out how the fashion industry has unsustainably operated as a collective for decades. “It’s safe to say that no one ever looked at a barrel of oil and thought, ‘That would make a nice-looking dress,'” the report’s forward reads. “And yet, for nearly 80 years, we have collectively looked past the ill-effects of petroleum and focused solely on the versatile, low price-point clothing that polyester makes possible.” It’s safe to say that no one ever looked at a barrel of oil and thought, “That would make a nice-looking dress.” The report argues that new fibers — no matter how recyclable they may be — should not be developed if there is no natural decomposition for them, because man-made material loops always leak into the environment . “The fashion industry now more than ever needs to look at materials in the larger context of natural systems,” Anita Chester, head of materials at Laudes Foundation, a partner for the report, said in a press release at the time of the report’s release. During the Circularity 20 session, Rattner gave attendees a vision and a call to action by telling them to imagine having a pantry of Twinkies in a pantry after deciding to be a healthy eater — likening them to the mounds of polyester sitting in our waste management system. Should you eat all those Twinkies first, and then go buy your kale? Should we keep using the same materials that we’ve been using? “We know that the Twinkies are bad for us,” she said “We don’t have to keep eating them, we can do something else with them. So my call to action is: we don’t have to eat the Twinkies.” Pull Quote Addressing the environmental impacts of the fashion industry will require multiple solutions to be at play at the same time. Of the total fiber input used for clothing, 87 percent is either landfilled or incinerated. It’s really hard to change our behavior, and even if we were able to do that, it’s not going to fix the problems in the system. It’s safe to say that no one ever looked at a barrel of oil and thought, “That would make a nice-looking dress.” Topics Circular Economy Fashion Circularity 20 Textile Waste Apparel Featured in featured block (1 article with image touted on the front page or elsewhere) On Duration 0 Sponsored Article Off Shutterstock New Africa Close Authorship

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A closed loop fashion system requires scaling solutions now, not later

The 2020 Ray of Hope Prize

September 9, 2020 by  
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The 2020 Ray of Hope Prize How can biomimicry drive innovation, and which team will win the 2020 Ray of Hope Prize? Biomimicry, the design and production of materials, structures and systems that are modeled on biological strategies and processes, can accelerate the breakthroughs we need to achieve a circular economy. Created in honor of Ray C. Anderson, the founder of Interface and a sustainability pioneer, the $100,000 Ray of Hope Prize sparks the next generation of businesses that seek to lead us to a circular and regenerative future. Nearly 200 startups from 42 countries around the world entered the 2020 competition with the hope of being selected as this year’s top up-and-coming business applying lessons learned from nature to solve for climate change and sustainability challenges. Nine startup teams ultimately competed for this year’s prestigious prize, sponsored by the Ray C. Anderson Foundation. Join us at Circularity 20 as we announce the winner of the 2020 Ray of Hope Prize and learn about the startup’s approach to creating a more regenerative and circular world. The Ray C. Anderson Foundation also will award a $25,000 Runner-Up Prize and $25,000 in additional prizes, along with programmatic support provided by the Biomimicry Institute.  Speakers Beth Rattner, Executive Director, Biomimicry Institute John Anderson Lanier, Executive Director, Ray C. Anderson Foundation Holly Secon Tue, 09/08/2020 – 22:33 Featured Off

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The 2020 Ray of Hope Prize

Biomimicry Institute reveals 2020 Global Design Challenge finalists

September 3, 2020 by  
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The Biomimicry Institute has revealed this year’s 10 Biomimicry Global Design Challenge finalist teams, which have created innovative solutions for sustainably tackling global issues. The proposals, which all take inspiration from nature, address one or more of the United Nations’ 17 Sustainable Development Goals. The 10 finalists were selected from over 81 student teams as well as 26 teams of professionals from 17 countries in total. Of the 17 United Nations Sustainable Development Goals, half of the 2020 Biomimicry Global Design Challenge submissions addressed “Sustainable Cities and Communities”, and over one-quarter addressed either “Good Health and Well-being”, “Climate Action”, “Life Below Water” and “Clean Water and Sanitation.” This year’s 10 finalist teams are from five different countries — including Australia, Canada, the Netherlands, Taiwan and the United States — with the majority focused on Good Health and Well-being, Sustainable Cities and Communities and Climate Action. Related: NexLoop unveils water management system inspired by spiders, fungi, bees and plants The first five finalists in alphabetical order include A Sensitive Wall, a proposal for a dynamic green noise barrier for reducing the urban heat island effect and traffic noise. It takes inspiration from concave-eared torrent frogs, mimosa leaves and desert snails. BottleBricks is an interlocking bottle system for insulating refugee housing that mimics the air-trapping qualities found in the triangular, corrugated shape of Saharan silver ant hairs and the structure of silk cocoons. ELIGHTRA is a solar -powered lighting system for temporary settlements with hard outer shells like a ladybug’s elytra (wing cases). Methanolite is a methanotroph-inspired method for converting methane into methanol without carbon dioxide emissions. MyOak Public Market is an online platform to increase food access for vulnerable populations during times of crisis; the project takes cues from the Chesapeake Forest. Additional finalists include nutriBarrier, a woven barrier for reducing nutrient runoff inspired by the protective strategies of hagfish and frogs. The floral stamen-shaped air filtration system Pranavayu features the electrical and structural properties of a spiderweb. An air filter called RICOCHET mimics mantas. The SINC (Sustainable Ice Nucleation Contraption) outdoor water collection system improves access to clean drinking water with methods similar to the countercurrent heat exchange system found in trout. Tubes, Blades, Mesh, Oh My! is a seawall retrofit proposal that takes cues from seagrass and mangroves for greater coastal resiliency. + The Biomimicry Institute Images via The Biomimicry Institute

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Biomimicry Institute reveals 2020 Global Design Challenge finalists

HIVE Project proposes biophilic, self-sufficient homes of the future

August 21, 2020 by  
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As part of RIBA’s The Home of 2030 design competition, Gianluca Santosuosso Design has created The HIVE Project, a honeycomb-inspired modular solution for lower carbon and low-energy housing. Developed for scalability, the prefabricated timber-framed hexagonal structures would offer residents a great degree of flexibility in customizing their homes throughout different stages of life. The honeycomb-inspired homes are also designed for energy self-sufficiency via renewable energy sources and would be integrated with a water recycling strategy that sustainably handles wastewater as well. The HIVE Project — short for ‘Human-Inclusive & Vertical Ecosystem’ — is a scheme for a circular economy that includes residences as well as shared facilities and onsite food- and energy-generating systems. This “Socio-Eco-System” promotes social cohesion and nature regeneration by incorporating the needs of not only humans, but also the existing site and local flora and fauna. For instance, the ideal starting site for the HIVE Project would be a brownfield that would be rehabilitated and enriched as the community grows. Related: Green-roofed Hive home opens and closes with the sun The hexagonal modules would be prefabricated offsite, where they would be bound together with a mix of locally sourced industrial hemp and natural binder that also provides strong insulation properties. As the community expands, more modules can be quickly added with minimal site impact. At the end of the solar-powered building’s lifecycle, the biodegradable construction materials can be easily disposed of while the remaining elements can be reused for new construction. “HIVE combines the properties of the honeycomb with the shape of the archetypal house and creates a new hybrid type of living space able to merge nature’s efficiency with the ingenuity of humans,” the architects explained. “We intend to provide the HIVE with a wide spectrum of co-owned and shared facilities that will empower individuals, families and communities to be self-sufficient while allowing local authorities and administration to limit the need for public investments. … Using these ‘Kits-of-Parts’, every single plot development will be unique and diverse.” + Gianluca Santosuosso Design Images via Gianluca Santosuosso Design

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HIVE Project proposes biophilic, self-sufficient homes of the future

Finding a natural sense of urgency to act

February 21, 2020 by  
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In solving the climate crisis, we must find a way to survive by mimicking nature: changing quickly while establishing firm roots for long-term survival.

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Finding a natural sense of urgency to act

Jellyfish robot grabs 2019 Ray of Hope Prize

June 19, 2019 by  
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Two startups belonging to a “new species of entrepreneur” and raised up by the Biomimicry Institute walked away from Circularity 19 with big checks.

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Jellyfish robot grabs 2019 Ray of Hope Prize

The next step in the sustainability journey: What would nature do?

October 22, 2018 by  
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Janine Benyus brings nature’s wisdom as guidance to business leaders at VERGE 18.

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