Artist installs nature-inspired tiny house made out of recycled glass and plastic in Times Square

May 21, 2019 by  
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Brooklyn-based artist Fernando Mastrangelo has combined his passion for art and sustainability into one gorgeously green tiny home . The artist, who is known for using unique materials in his work, has just unveiled Tiny Home, a “recycled tiny house sculpture” made out of recycled plastic and glass. The 175-square foot home, which comes complete with a garden-filled courtyard, is currently open to the public in New York’s Times Square. According to Mastrangelo, the design for the 175-square-foot home was inspired by nature and climate change. Part of the ongoing NYCxDESIGN event, the tiny home is an interactive space that the artist hopes will demonstrate to visitors how eco-minded architecture is fundamental in creating a better world with less waste. Related: 8 tiny homes built tough for off-grid living The unique tiny home is made out of a variety of reclaimed materials. The ombre effect on the exterior, which gives off the illusion of a mountain range, was made out of recycled plastic . On the interior, reclaimed glass fragments were used on the walls and ceiling using the artist’s signature cement casting technique. Further into the space, a blue wall with large circular cutout leads to a soothing courtyard with a lush garden (designed by  Brook Landscape ) that wraps around the exterior, highlighting the strong connection between architecture and mother nature. Mastrangelo explains that as an artist, he feels the need to not only use eco-friendly materials to expand his own artwork, but as a way of embracing a new model of creation, “as spaces begin to be experienced more and more virtually, the boundaries of our imaginations — as architects and designers — are no longer limited to what we can physically build,” he explains “that’s where tiny house comes in; a space where the future of design can be experienced in real life.” The Tiny Home will be on display and open to the public at Time Square until May 22. + Fernando Mastrangelo Via Designboom Images via Fernando Mastrangelo Studio

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Artist installs nature-inspired tiny house made out of recycled glass and plastic in Times Square

Meet ‘Blade’, the world’s first 3D-printed hypercar

May 21, 2019 by  
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At first glance, any motorhead would be head over heels for Blade — a sleek sportscar with shimmery deep magenta facade. The aerodynamicity of the car is obvious from its low, curved volume. Yet, this isn’t just any supercar that has just hit the market. Created by San Francisco-based startup  Divergent Microfactories,  Blade’s chassis was entirely 3-D printed. 3D printing is already revolutionizing the manufacturing process around the world. Printing in 3D makes products such as furniture, jewelry, machinery and even cars, more lightweight, but without sacrificing durability. Not only does 3D printing offer a new, faster and more reliable way of manufacturing, but it is also more affordable and sustainable. Related: World’s first mass-producible 3D-printed electric car will cost under $10K Within the automotive industry, sustainability is an aspect that, according to Divergent founder and CEO, Kevin Czinger, can no longer be ignored. “We have got to rethink how we manufacture, because — when we go from 2 billion cars today to 6 billion cars in a couple of decades — if we don’t do that, we’re going to destroy the planet,” Czinger expains. The startup has been working on the Blade design for years. The car’s chassis is a 3D printed aluminum “node” joint, which is made up of carbon fiber tubes that plug into the nodes to form a strong and lightweight frame for the car, weighs just 1,400 pounds. According to the company, the 3D manufacturing process reduces the weight of the chassis by as much as 90 percent when compared to conventional vehicles. The Blade features a 700HP engine capable of running on both compressed natural gas (CNG) and gas. As for performance, its light weight enables the supercar to accelerate to 0-60 m.p.h in 2.2 seconds. But, in case you’re itchin’ to get the metal to the pedal in this sweet ride, you’ll have to wait. The company has only manufactured a few models, but hopes to start working with boutique manufacturers soon to start producing more. + Divergent 3D Images via Divergent 3D

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Derelict building is wrapped in tin foil to protest lack of affordable housing in Warsaw

February 6, 2019 by  
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Polish-born artist Piotr Janowski has become well-known for turning buildings and even entire locomotives into shimmery  art installations by covering them in thin layers of tin foil. Now, the artist is back with Zabkowska 9, Take off —  a building in the heart of Warsaw that has been sitting empty and in decay for years. By wrapping the large townhouse in tin foil, the artist hopes to call attention to Warsaw’s lack of affordable housing, despite the city’s high number of empty buildings. Janowski’s latest canvas this time around is a derelict 1870 tenement building, which has survived two wold wars, located in Warsaw’s Praga-Pó?noc district. Over the years, the area has become known for its crime and drug scene, but is being rediscovered as of late. Comparing it to Brooklyn before gentrification, Janowski said he is seeking to bring attention to the building and its potential to help the city with its lack of affordable housing . Related: Artist wraps vintage steam locomotive in 39,000 square feet of aluminum foil The artist explained that he hopes this particular work will help the city prepare a future urban design that will benefit those in need while retaining the architectural history of the neighborhoods. “I believe that my aluminum installation will, for a moment, turn into a symbolic silver bridge, which will combine the dreams of the pre-war past and then the dramatic years of the city’s inhabitants during the occupation with the contemporary positive changes that are taking place so definitely in this fascinating Warsaw district,” Janowski said. “I think that this is an ideal and unique time to adapt one of the abandoned buildings for this project and symbolically make its destroyed beauty reborn.” Working with a local homeless man, Wies?aw Go??b, who lives in the building, the artist began the art installation by covering the facade in more than 600 square meters of tin foil. Using a lift, he often spent days on end painstakingly covering the building’s wooden, wood, metal and stone facade. With help from Wies?aw, his wife and about 15 young volunteers, he was able to finish the incredible art piece in about 10 days. + Piotr Janowski Images via Piotr Janowski

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Derelict building is wrapped in tin foil to protest lack of affordable housing in Warsaw

Ryuji Kajino converts an 80-year-old barn into a gorgeous atelier

June 12, 2018 by  
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Architect Ryuji Kajino from Malubishi Architects has just unveiled the Tiny Atelier — a one-room work studio crafted with the remnants of an 80-year-old timber barn that previously stood on the same site. The minimalist work space, which was created for a designer who makes accessories from dried flowers, was built with timber, old beams and roof tiles repurposed from the existing barn. Located in Kurashiki, Japan, the work space was built for a designer who lives on a hilltop lot that overlooks the Seto Inland Sea in the distance. A covered porch leads from her home to the new studio, which is surrounded by greenery. In fact, the artist grows the flowers for her accessories in the onsite garden. Related: The Cornelia tiny house is a peaceful writer’s studio built with reclaimed wood The architect wanted to retain as many of the materials from the old barn as possible. The structure includes a new pitched roof topped with tiles from the existing barn. Inside, exposed log beams on the timber-lined ceiling pay homage to the former building. Vertical wooden boards  clad the petite studio, except for the front door, which has a diagonal pattern and custom-made chestnut handle. Large windows provide an abundance of natural light as well as beautiful views of the valley below. The room’s biggest window sits in a timber frame constructed with both old and new wooden pillars, again marking the transition from past to present. The office design embraces minimalism with sparse furniture and a wraparound white shelf built high up on the wall to provide space for drying flowers. According to the architect, re-using the barn’s old materials enabled him to create the atelier space as a nod to the local history. “Utilizing the materials that can be used by existing barns, we inherited the history that this site had been walking on,” explained Kajino, “but also aimed at a new architecture mixed old and new materials as a future architectural building.” + Ryuji Kajino Via Dezeen Images via Ryuji Kajino

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Ryuji Kajino converts an 80-year-old barn into a gorgeous atelier

Croatia Pavilions Cloud Pergola is one of the worlds largest 3D-printed structures

June 12, 2018 by  
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Architect Bruno Juri?i?  has unveiled one of the world’s largest and most complex 3D-printed structures at the 16th Venice Architecture Biennale . Dubbed the Cloud Pergola / The Architecture of Hospitality, this massive, site-specific structure for the Croatian Pavilion features 300 kilograms of 3D-printed biodegradable plastic. The immersive cloud-like installation invites visitors to reflect on the topics of hospitality, climate change and sociability. The Cloud Pergola is a contemporary take on the classic Mediterranean pergola structure, a space where “the private and public merge.” Curated and authored by Bruno Juri?i? in collaboration with Arup , Ai-Build and Alisa Andrašek, the innovative pavilion’s main focus is the ‘Cloud Drawing,’ a 3D-printed structure built of voxels arranged in a fluid-like mass using over 100,000 extruded elements. A “multi-agent algorithm” that was built with data on cloud formation and site-specific environmental data was used to inform the design’s lattice-like form and arrangement. The Cloud Pergola is complemented with artwork that helps create an immersive experience. Vlatka Horvat’s wall-based work ‘To Still the Eye’ explores the “notion of horizon as a physical manifestation of distance and as a metaphor for the future, wanting to address this sense of possibility,” while artist Maja Kuzmanovi?’s ‘Ephemeral Garden’ is an audio installation. “I wanted the pavilion to push the boundaries of the aesthetics, spatial and tectonic consequences of emerging paradigms of augmented intelligence at the cross-over between architecture, art, and engineering by presenting a full-scale pergola structure made using 3D robotic fabrication and automated design protocols,” said Bruno Juri?i? in a statement. “The Cloud Pergola was envisioned as a paradigm for what architecture should stand for in the 21st century.” Related: Vatican City’s first-ever pavilion debuts at the Venice Architecture Biennale Arup and the 3D manufacturing team of Ai-Build also developed a simple assembly sequence for the Cloud Pergola, which will be put on tour after the end of the Venice Biennale. The Croatian Pavilion will be exhibited for the entire duration of the Architectural Biennale, until November 25, 2018. + Croatian Pavilion Images by Jan Stojkovic

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Croatia Pavilions Cloud Pergola is one of the worlds largest 3D-printed structures

Earth911 Interview: Artist Blocked Pipeline with Blued Trees Symphony

May 8, 2018 by  
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Artist Aviva Rahmani answered the call of citizens of Peekskill, New … The post Earth911 Interview: Artist Blocked Pipeline with Blued Trees Symphony appeared first on Earth911.com.

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Earth911 Interview: Artist Blocked Pipeline with Blued Trees Symphony

Earth911 Interview: Artist Blocked Pipeline with Blued Trees Symphony

May 8, 2018 by  
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Artist Aviva Rahmani answered the call of citizens of Peekskill, New … The post Earth911 Interview: Artist Blocked Pipeline with Blued Trees Symphony appeared first on Earth911.com.

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Earth911 Interview: Artist Blocked Pipeline with Blued Trees Symphony

Artist creates intricate shadowboxes out of laser cut wood pieces

February 19, 2018 by  
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Inspired by the wildlife and nature found in the Pacific Northwest, Oregon-based artist Jason Pancoast of Shadowfox Design  handcrafts intricate images out of laser-cut pieces of oak wood. The whimsical shadowboxes are made by layering thin pieces of dark oak wood over the vibrant images, which are painted with acrylic paint. Nature and wildlife are the major inspirations for the artist, who tries to show how we are all connected to nature through his wood art . One of Pancoast’s most beautiful pieces is titled The Call . The background is made out of multiple layers of blues, greys and whites that, when glued together, create an image of a moon-lit forest landscape with a wolf walking among the trees. The image is framed by multiple layers of dark oak wood, forming a larger wolf. Other pieces include a soothing image of a Birch Forest and and a dynamic forest scene called Unto the Path . Related: Gabriel Schama creates intricate wooden sculptures with laser-cutting technology Pancoast not only creates his shadowboxes out of the carefully cut wooden layers , but he also works with paper art as well. First sketching nature-inspired scenes on matte paper in pencil, he then digitally adjust each sheet. He then creates beautiful scenes by layering the sheets, which are then carefully arranged into oak frames. + Shadowfox Design Via My Modern Met Images via Shadowfox Design

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Artist creates intricate shadowboxes out of laser cut wood pieces

Cloud lamp erupts into a frenzied lightning storm every time Donald Trump tweets

November 15, 2017 by  
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French artist Parse/Error has created an ingenious lamp that erupts into a miniature lightning storm whenever Donald Trump tweets. The lamp is connected to Donald Trump’s Twitter account, and it reacts in real time to his infamous “tweet storms” with flashes of light and rolling clouds. In its normal state, La Political Lamp is a simple light fixture filled with calming clouds . However, once connected to Trump’s account – or any account for that matter – each tweet precipitates a series of flashing lightning bolts, converting the lamp into a raging mini storm. Related: Dazzling Storm Cloud of Light Born from Ordinary Pot Scrubbers According to the artist, the lamp symbolizes the current rise of intolerance throughout the world when it comes to political leaders : “The choice of setting the Political Lamp to follow the tweets of Donald Trump is explained by the fact that he perfectly embodies a dangerous era. A world where the words of one man, released without reflection and with spontaneity on a global social network, can endanger the fate of millions by spreading the ghost of nuclear war on the planet.” + Political Lamp Via Notcot

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Cloud lamp erupts into a frenzied lightning storm every time Donald Trump tweets

Incredible Ottoman-era bird palaces reveal how Turkish people pampered wild birds

October 11, 2017 by  
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Forget the simple birdhouse perched on a tree branch, avian houseguests in the Ottoman era were treated like kings thanks to the practice of affixing elaborate bird palaces onto local buildings. Although the mini bird homes were intricately crafted in order to provide shelter to the local winged population , they were also thought to bring good luck to the host households. The practice of building ornate birdhouses onto buildings was an important practice of Ottoman architecture in Turkey. The structures were often found on mosques, bridges, libraries, schools, and even public fountains. Rather than the simple, functional birdhouses that we see today, these mini palaces were often multiple stories and covered in ornate exteriors, typically resembling miniaturepalaces. Related: Artist creates thousands of urban birdhouses out of recycled scrap wood It was common belief that the bird homes brought good luck to those who built them and as such, they were treated with meticulous care. Locals would often have their own names for the structures, lovingly referring to them as (bird pavilions), “güvercinlik” (dovecots) and “serçe saray” (sparrow palace). + Insanbulium Via This is Colossal Photography by Caner Cangül via Instanbulium

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Incredible Ottoman-era bird palaces reveal how Turkish people pampered wild birds

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