The fruit of the future is 3D-printed and packed with vitamins and minerals

December 20, 2019 by  
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With global bee populations dwindling at an astonishing rate, there is a risk that produce supplies will be diminished at some point in the near future. A new generation of innovators, such as Bezalel Academy of Art and Design graduate Meydan Levy , are coming up with food alternatives to prepare for the worst-case scenario. Levy designed Neo Fruits, a collection of artificial fruits made out of 3D-printed cellulose skins and filled with a healthy mix of vitamins and minerals. According to Levy, the inspiration to design the artificial fruit stemmed from the need to explore new and feasible ways to feed the world’s burgeoning population. The idea was to create an appealing alternative that would serve two purposes: to create an ecological food producing sector and to improve nutrition. Related: Innovative orange juicer 3D prints bioplastic cups out of leftover orange peels To kick off the experimental culinary project , Levy first worked with several nutritionists to develop blends of vitamins and minerals for each fruit concept. The resulting combinations are intended to fully meet the human body’s wide range of nutritional needs. Once the nutritional impact of the fruit was conceived, the next step was creating the fruit itself. Using innovative, 3D printing techniques, Levy created the outer shell of the fruit from translucent cellulose, an organic compound that gives all plants their structures. The cellulose skins are printed in a flat, compressed form, but once the nutrient-rich liquids are added via built-in arteries, they take on a plump, fruit-like appearance. In an interview with Dezeen , Levy explained that the process is actually quite sensible and sustainable , because when the dry fruit is flat, it is lightweight, meaning that it has a long shelf life and can be easily transported. “Adding the liquids and activating the fourth dimension gives the fruit life, because from that moment, it can be eaten,” Levy explained. “The liquid becomes the biological clock of the fruit and gives it a certain life, meaning it will remain at its best for a limited but pre-planned time.” Currently, Neo Fruit is comprised of five distinct fruits. One is made up of a series of small pods strung together like molecules. Much like an artichoke leaf, the eater has to open it up and scrape the contents out with their teeth. There is also a passion fruit-inspired option. Divided into three segments, this fruit’s interior pulp is held together by a colorful outer skeleton. Each fruit has a distinct taste depending on its contents. To create the unique flavors, Levy worked with several chefs that specialize in molecular cooking to create the fruits’ colors, textures and tastes. + Meydan Levy Via Dezeen Images via Meydan Levy

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The fruit of the future is 3D-printed and packed with vitamins and minerals

Green-roofed sports center adds sculptural appeal to the Augustow riverfront

December 20, 2019 by  
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Polish architecture firms PSBA and INOONI have recently completed a strikingly angular water sports center in the heart of Augustow, Poland that shows how architecture can double as a public sculpture. Topped with a green roof, the facility complements the surrounding park with a facade clad in untreated Siberian larch. The building serves as a canoeing training base and is the first phase completed in a multiphase masterplan. The architects were awarded the bid to design and build the Augustow canoeing training base after winning a 2016 architecture competition for the development of recreational spaces along the Netta River. The project will include a multifunctional sports field, pump track, playground and scenic rest areas. Located on the West Bank of the Netta River, the newly built sports center was placed at a highly visible and picturesque bend of the river that is visited by locals and tourists alike. Related: FAAB reimagines Warsaw’s largest public square as a solar-powered cycle park The single-story facility features a triangular plan with a flat, landscaped green roof with a slight slope. The building is organized in two parts: a water-facing hangar for canoe and motorboat storage with a platform and a “workshop” area for the local canoe club. The “workshop” area includes gathering space for training and meetings, locker rooms, a gym with panoramic water views, a club room, a sports equipment warehouse and public bathrooms. The interiors feature a minimalist aesthetic that matches the exterior appearance. “Its characteristic form has associations with movement and dynamics,” the architects explained. “The sloping walls create distinctive arcades, highlighting the entrances and framing the views. The visual sight of the building is changing depending on where we look from. The dynamic form of the object allows an access from a mini stand into the roof of the hangar, where the observation deck is located.” + PSBA + INOONI Photography by Bartosz Dworski via INOONI

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Green-roofed sports center adds sculptural appeal to the Augustow riverfront

Innovative orange juicer 3D prints bioplastic cups out of leftover orange peels

September 16, 2019 by  
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International design firm Carlo Ratti Associati has developed an experimental circular juice bar that uses orange peels to make deliciously fresh-squeezed juice but that’s not all. Using filament made from the leftover orange peels, the “Feel the Peel” machine then 3D prints disposable cups to drink the refreshing juice on the spot. The prototype juicer, which was designed in collaboration with global energy company Eni , is a 10-foot tall orange squeezer machine topped with a massive dome. The dome is comprised of several round racks that hold up to 1,500 oranges. The machine’s base is installed with a 3D printer . Related: 10 ways 3D printing is disrupting the architecture industry Once the order is placed for freshly squeezed juice, the innovative machine begins to work its magic. The oranges slide down to a machine that squeezes the juice out of the two halves. The leftover peels fall through a tube where they accumulate at the bottom of the machine. There, the peels are dried, milled and mixed with Polylactic Acid (PLA), converting them into a bioplastic material. The bioplastic is then heated and melted into a filament that is used by the machine’s built-in 3D printer to create recyclable 3D printed cups on the spot that are filled with freshly-squeezed juice. The innovative prototype is a study of how the even the most simple, everyday treats in our lives can be part of a circular, zero-waste economy . “The principle of circularity is a must for today’s objects,” says Carlo Ratti, “Working with Eni, we tried to show circularity in a very tangible way, by developing a machine that helps us to understand how oranges can be used well beyond their juice. The next iterations of Feel the Peel might include new functions, such as printing fabric for clothing from orange peels”. The Feel the Peel juice bar made its debut at an event in Rimini, Italy this summer, but will be installed at the Singularity University Summit in Milan on October 8 and 9, 2019. + Carlo Ratti Associati Via Wired Photography by Nicola Giorgetti and video by ActingOut

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Innovative orange juicer 3D prints bioplastic cups out of leftover orange peels

Lessons from HP’s experiment in 3D printing of spare parts on demand

July 31, 2019 by  
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The idea is simple: Rather than keeping an inventory of parts for repairs, a business could keep an endless database of digital files.

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Lessons from HP’s experiment in 3D printing of spare parts on demand

Cargill pledges to tackle climate impact of beef business

July 31, 2019 by  
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Regenerative agriculture is central to new plan to slash greenhouse gas emissions by one-third over the next decade.

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Cargill pledges to tackle climate impact of beef business

Meet ‘Blade’, the world’s first 3D-printed hypercar

May 21, 2019 by  
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At first glance, any motorhead would be head over heels for Blade — a sleek sportscar with shimmery deep magenta facade. The aerodynamicity of the car is obvious from its low, curved volume. Yet, this isn’t just any supercar that has just hit the market. Created by San Francisco-based startup  Divergent Microfactories,  Blade’s chassis was entirely 3-D printed. 3D printing is already revolutionizing the manufacturing process around the world. Printing in 3D makes products such as furniture, jewelry, machinery and even cars, more lightweight, but without sacrificing durability. Not only does 3D printing offer a new, faster and more reliable way of manufacturing, but it is also more affordable and sustainable. Related: World’s first mass-producible 3D-printed electric car will cost under $10K Within the automotive industry, sustainability is an aspect that, according to Divergent founder and CEO, Kevin Czinger, can no longer be ignored. “We have got to rethink how we manufacture, because — when we go from 2 billion cars today to 6 billion cars in a couple of decades — if we don’t do that, we’re going to destroy the planet,” Czinger expains. The startup has been working on the Blade design for years. The car’s chassis is a 3D printed aluminum “node” joint, which is made up of carbon fiber tubes that plug into the nodes to form a strong and lightweight frame for the car, weighs just 1,400 pounds. According to the company, the 3D manufacturing process reduces the weight of the chassis by as much as 90 percent when compared to conventional vehicles. The Blade features a 700HP engine capable of running on both compressed natural gas (CNG) and gas. As for performance, its light weight enables the supercar to accelerate to 0-60 m.p.h in 2.2 seconds. But, in case you’re itchin’ to get the metal to the pedal in this sweet ride, you’ll have to wait. The company has only manufactured a few models, but hopes to start working with boutique manufacturers soon to start producing more. + Divergent 3D Images via Divergent 3D

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NASA Mars Habitat Challenge winner is a 3D-printed pod made of biodegradable materials

May 17, 2019 by  
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Multi-planetary architectural firm  AI Space Factory has been awarded first place in the NASA Centennial Challenge with its innovative 3D-printed design , MARSHA. The 15-foot-tall, pod-like design was digitally printed using a base of biodegradable and recyclable basalt composite derived from natural materials found on Mars. Not only does the concept envision a sustainable and resilient design that could meet all the demands of a Mars mission, but the interior living space would be modern and bright, complete with indoor gardens. The New York-based company managed to beat out 60 challengers that submitted designs for NASA’s Centennial Challenge, which looks for sustainable housing concepts for deep space exploration, including Mars . The MARSHA habitat was designed specifically with the desolate Martian landscape in mind, but it could be potentially viable for any environment. Related: Martian tiny home prototype champions zero waste and self sufficiency The prototype was built out of an innovative mixture of basalt fiber extracted from Marian rock and renewable, plant-based bioplastic, with three robotically placed windows. The materials used in the construction not only stood up to NASA’s pressure, smoke and impact testing, but the structure was actually found to be stronger and more durable than its concrete competitors. In contrast to most designs created for Mars, MARSHA is a vertical shape comprised of various levels. The interior spaces are designated by floor, with everything needed to stay indoors for extended periods of time if necessary. Living and working spaces would feature a “human-centric” design that would see modern yet comfortable spaces lit by diffused light. There would also be ample space for indoor gardens . CEO and founder of AI SpaceFactory David Malott explained that the inspiration behind MARSHA was to design a resilient structure that would be sustainable for years to come. “We developed these technologies for space, but they have the potential to transform the way we build on Earth,” Malott said. “By using natural, biodegradable materials grown from crops, we could eliminate the building industry’s massive waste of unrecyclable concrete and restore our planet.” + AI Space Factory Via Archdaily Images via AI Space Factory

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NASA Mars Habitat Challenge winner is a 3D-printed pod made of biodegradable materials

One-of-a-kind Wilhelm Lamp is 3D-printed from recycled polycarbonate

April 12, 2019 by  
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Challenged by Milanese design gallerist Rossana Orlandi to “give plastic a second life,” Italian architect Tiziano Vudafieri has created the Wilhelm Lamp, a unique light fixture and tribute to the renowned German industrial designer Wilhelm Wagenfeld. Presented at Rossana Orlandi’s exhibition Guitlessplastic – Master’s Pieces during Milan Design Week, the Wilhelm Lamp reinterprets the Wagenfeld’s modernist glass vase as an enlarged pendant lamp that is 3D-printed from recycled polycarbonate. First launched last year, Rossana Orlandi’s Guitlessplastic project was created to challenge the public discourse around plastic. The initiative has included talks and numerous collaborations between brands, artists and architects invited to showcase responsible uses of plastic through recycling. The Guitlessplastic – Master’s Pieces collection exhibits unique works made out of recycled and recyclable plastic by renowned artists, designers and architects and is currently on show at the Railway Pavilion of the Museum Scienza e Tecnologia Leonardo da Vinci in Milan until April 14. As an admirer of Wilhelm Wagenfeld, Tiziano Vudafieri owns a 1935 Wagenfield glass vase as part of his personal collection and used it as the inspiration for the Wilhelm Lamp. Created in collaboration with BAOLAB, LATI and GIMAC, the lamp was 3D-printed into a large, bulbous shape from recycled polycarbonate , a material that boasts high thermal and mechanical resistance. At the exhibition, the translucent pendant lamp is suspended above the 1935 Wagenfeld vase, which is bathed in the lamp’s light. Related: Make your own custom sunglasses from recycled plastic with FOS “Wilhelm Wagenfeld was the only Bauhaus master to apply this movement’s utopia to real life, invading the market after World War II with beautiful everyday objects with innovative designs and affordable prices,” Vudafieri said. “Among his works, I prefer his glass pieces, particularly the vases, with their classic and rigorous, elegant and modern forms. Hence the idea of recycling not only the materials used for the object, but also the design itself, fitting in perfectly with the Guiltless Plastic theme.” + Tiziano Vudafieri Images via Tiziano Vudafieri

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One-of-a-kind Wilhelm Lamp is 3D-printed from recycled polycarbonate

3D-printed jewelry company uses plants, not fossil fuels, to make its beautiful designs

April 10, 2019 by  
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Traditionally, most jewelry has always been made out of some type of metal: silver, gold, bronze or copper. Mining for precious metals and gemstones often causes environmental damage, ranging from water pollution to greenhouse gas emissions to soil erosion. Today, however, those looking to decorate themselves with shiny baubles have a new option —  eco-friendly, 3D-printed jewelry. Based in Somerville, Massachusetts, Winter Hill Jewelry is an innovative, family-run company that makes beautiful and affordable 3D-printed earrings and necklaces out of plant-based plastic . Winter Hill Jewelry is the brainchild of Vanessa Templeman, a mother of two who started experimenting with her family’s 3D printer at home. The printer had been used to print toys for the kids, but soon Templeman decided to do something a bit more creative. After initially drawing and designing her pieces by hand, she then updated to Tinkercard to help streamline the process, which ends with beautiful 3D models of her designs. Related: Elle turns E-waste into unique and eye-catching jewelry According to Templeman, the 3D printing process not only allows her to create and manufacture her own designs, but has also opened up a niche in the jewelry market for eco-friendly designs. Focused on having minimal environment impact, the company uses a full-cycle system that is set up to reduce waste throughout the manufacturing process. Instead of using regular plastic that is made from fossil fuels, for example, they use PLA, a plant-based plastic that is compostable. While they try to reduce waste as much as possible, any remnants left over from the production process can be easily recycled. Additionally, the Flash Forge Creator Pro 3D printers used by Winter Hill Jewelry are fully powered by solar-generated energy . Once the jewelry is printed, they are displayed on cards made out of 100 percent recycled paper and shipped in biodegradable bubble wrap. As an additional way to use its product for good, the company has a special collection that includes a “Cuterus” line of pins and earrings. Portions from the sale of these items are donated to the Beth Israel Deaconess Medical Center OB. + Winter Hill Jewelry Images via Winter Hill Jewelry

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3D-printed jewelry company uses plants, not fossil fuels, to make its beautiful designs

This Norwegian alpine cabin fits together like a 3D timber puzzle

February 7, 2019 by  
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A new treat awaits hikers in Hammerfest, Norway — perched high on a mountain is a contemporary hiking cabin engineered to provide comfort, views and architectural beauty above the Arctic Circle. Designed by Norwegian design studio SPINN Arkitekter and U.K.-based FORMAT Engineers , the recently completed cabin on the mountain Storfjellet is one of two Hammerfest Hiking Cabins—the second will be built on Tyven in 2019 — created to promote hiking in the mountains around the region. The wooden structure features a cross-laminated timber shell comprising 77 panels that the architects say “fit together like a 3D puzzle.” Commissioned by the Hammerfest chapter of The Norwegian Trekking Association (DNT) and brought to life by crowdfunding and community support, the Hammerfest Hiking Cabins were designed to not only provide a warm and weather-resistant rest stop, but also a beautiful wooden structure that could serve as an attraction in itself. SPINN also wanted the cabin to blend in with the local terrain and based the building’s appearance off of a large boulder, hence the double-curved shape. Computer modeling and mapping technology were used throughout the design and construction of the project, from the 3D site mapping carried out with a drone and photogrammetry software to the assembly of the prefabricated CLT panels in a controlled warehouse environment. The design team also used Sketchup, Rhino and customized scripting tools to optimize the cabin’s shape. Snow and extreme wind simulations were performed to test the resiliency of the design, while 3D printing was used to test assembly and cladding options. Related: Snøhetta designs healing forest cabins for patients at Norway’s largest hospitals Volunteers built the first Hammerfest Hiking Cabin in 2018, with the 15-square-meter  prefabricated CLT cabin structure assembled in over four workdays. After prefabrication, the cabin was split into two pieces and transported on a flat bed lorry to Storfjellet, where it was then lifted into place and winched together. The full-height window, fireplace, ramp and interior furnishings were fitted into place on site. The estimated budget per cabin is 100,000 Euros. + SPINN Arkitekter + FORMAT Engineers Images by Tor Even Mathisen

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This Norwegian alpine cabin fits together like a 3D timber puzzle

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